Tag Archives: Indie

Book Review of No Light (The Dems Trilogy #1), by Devi Mara

No LightI downloaded a copy of Devi Mara‘s book, No Light when it was free on Amazon. (I included both covers because the one I read had the second cover, but I so hate the new one that I wouldn’t have picked the book up if I’d seen it first. Seriously, that blank, innocent look on the MC’s face screams TSTL. I would have run the other direction from it and I didn’t want to post it here as something I would have been attracted to. Petty, I know.)

Description from Goodreads:
“Name?” he demanded. 
“Sarah Mackenzie.” She swallowed hard. She would be like the ones who had fallen, her remains something to be cleaned from the floor. 
“Age?” 
She tried not to tense when he brought his face to her neck and inhaled deeply. 
“Twenty-two.” The lie tried to stick in her throat. 
He pulled back and gave her a dark look. “Try again.” 
“Eighteen,” she whispered, tensing when his lips pulled back from his teeth in a shark smile. 
“A lie, Sarah? How nice that you are not as innocent as you look.” 

In The Corridor, there are the immortal Dems and the human handlers who guard them. When the leader of the Dems gets a handler straight out of training, she is not expected to live beyond her first day. She is everything he hates and he is everything she fears, but an accident permanently binds them together. With corruption growing among the humans and the threat of war, they must escape The Corridor and find common ground in a place with No Light.

Review:
This book was at best OK. The actual writing itself is fine, though it needed another edit, but the story is so full of inconsistencies, insubstantial world-building, poor character development and absent emotional growth that it pains me to discuss it.

I’ll start with Sarah. For 2/3 of the book, she is such a limp noodle, so weak and scared of everything that she literally can’t even communicate in complete sentences, just stutters and apologies. Then for the last 1/3, she miraculously, with no apparent instigation for change, becomes a strong-willed, brave, stand-up for herself and those she loves, fighter and I was left thinking, ‘this is not the same girl.’ Her character was wholly inconsistent.

Then there is Farran. He too has an instant and unfollowable change of temperament. For 2/3 of the book, he’s gruff and unfeeling, hates humans and barely tolerates Sarah. Then, he morphed into an expressive, demonstrative, lovely man. What? How? Why?

The plot…it makes no sense. The Dems are imprisoned on what I assume is Earth. They are bigger and significantly stronger than humans. They can see in complete darkness, heal almost instantly and are maybe psychic. But they are guarded by a single person with nothing more than a stun gun. What’s more, they always seemed to be alone with that guard, or at least Sarah and Farran do.

Plus, it’s inferred that Sarah is assigned to Farran because she’s the only day guard in the current training class, therefore the only one available. But what makes a day guard, morning guard or night guard different is never addressed. If it’s just preference for time of shift (and it’s shown guards can change shifts) why does it matter? Even more to the point, couldn’t someone cover the shift long enough for Sarah to at least get trained?

Plus (again), if a Dem has three guards, why is the day guard the only one referred to as ‘his handler?’ What about the other two, do they not count and if not, why not? Nothing about the prison-setting, handler/guard set up makes any sense. NOTHING.

Then there is the Marking (which I suppose is intended as the romance). Farran marked Sarah by accident. That’s right he didn’t mean to and he even actively disliked and was disgusted by her at the time and for most of the book. But that marking, which should take years to develop is unusually strong, but we’re never told why. And in and among all this being disgusted by Sarah and Sarah being terrified of Farran, they’re supposed to have fallen in love. I saw no indication of this until BAM love. But it’s anyone’s guess what it’s based on. She’d hardly even been able to speak to him and he did nothing but snarl and bark at her.

Then there is the world-building…oh, wait, no there isn’t. There really isn’t any world-building to speak of, sorry.

There are also some really cliché scenes. For example, the alternative love interest taking her clothes shopping and changing the ugly duckling into a beautiful swan with the help of his riches and a good sales girl. Meh. This same theme is echoed in Farran picking out Sarah’s clothes for her. Because, obviously, what a girl looks like and how she visually presents herself is sooo important.

Lastly, (or the last thing I’ll mention for fear of appearing to attack a book) some of the plot-devices are extremely obvious. As an example, Farran has no problem understanding humanity or communicating. (In fact, for much of the book I wondered how everyone did communicate so easily—newly arrived aliens even using English when conversing among themselves, for example.) But toward the end he is painfully dense and unable to understand why he’s ineffectively communicated an important point, which leads to Sarah running out and committing the requisite TSTL acts and obviously needing rescue. The set up on that scenario was so obvious I could have provided bullet points before reading it. Similarly, Sarah’s inability to see the obvious so that the author could drag it out as a big ‘Ta-Da’ at the end was worth at least one eye-roll.

The writing does have an appreciable eerie feel to it. I liked Farran’s Colonels. They were funny. I liked that Luke seemed to have a little grey to his character. He genuinely seemed to want to help Sarah, but was in too deep to be able to do it. I liked that the Dems actually committed violence that supported the claim that they were dangerous, as opposed to the reader being told they’re dangerous but never seeing anything to prove it. I’ll even grant that the boook lacked the normal NA angst about sex, for which I’ll thank every literary god there is. So, it’s not that there wasn’t anything I liked about the book. But the dislikes outnumbered the likes by a significant amount. (And the totally sappy ending was my final straw, really. *shudder*)

Review of The Thief Who Pulled on Trouble’s Braids (Amra Thetys #1), by Michael McClung

The Thief Who Pulled on Trouble's BraidsI snagged a copy of Michael McClung‘s book, The Thief Who Pulled on Trouble’s Braids, from the Amazon free list. At the time of posting, it was still free.

Description from Goodreads:
“They butchered Corbin right out in the street. That’s how it really started. He was a rogue and a thief, of course. But then, so am I. So when he got himself hacked up in front of his house off Silk Street, I decided somebody had to be made to pay. They thought that they could just sweep him away like rubbish. They were wrong.”

Amra Thetys is a thief with morals: She won’t steal from anybody poorer than she is. Fortunately, anybody that poor generally doesn’t have much worth stealing! But when a fellow thief and good friend is killed in a deal gone wrong, Amra turns her back on burglary and goes after something far more precious: Revenge.

Review:
I’m feeling blessed; I’ve had such good luck in the book department lately! The Thief Who Pulled on Trouble’s Braids is a fun Sword & Sorcery book with a kick-butt heroine, a cool mage sidekick (maybe hero), and an interesting fantasy world. I enjoyed the read immensely. It was well-written, sarcastic, funny, and wrapped up nicely in the end. A+, in my opinion.

I was a bit confused about why Amra took it upon herself to avenge Corbin’s death. They were friends, not lovers, so it seems a bit extreme. The reasoning that she’s doing it because she has so few friends proved unsupported by the book. Her endeavor was successful solely because she seemed to have so many loyal, generous friends. So, I was left scratching my head about the very foundation of the book’s plot but decided to just roll with it.

I also thought that the ‘oops, sorry, I was wrong’ was glossed over. Several people died as a result of this particular mistake, those who lived would have a terrible memory, and it brought everyone to the attention of some really dangerous people. But no one seemed to mind, nor was anyone less inclined to take her word at face value when next she said, ‘Oh, I know who did it.’ It all felt a little too easy.

Easy is my last comment. For all the drama, running around, and highly dangerous enemies Amra battles, each was defeated with startling ease at the end. It left the encounters feeling rushed and abortive.

Having said all that, I really did enjoy it, and I hope to read the sequels soon.

Brood of Bones

Book Review of Brood of Bones (Lady of Gems), by A.E. Marling

Brood of BonesBrood of Bones, by A. E. Marling has been on my radar for a while, because the cover is so darned eye catching. So, when I saw it on the Amazon free list a while back I grabbed it. Perhaps it is permafree, as at the time of posting it was still/again free.

Description from Goodreads:
Cursed with endless drowsiness, Enchantress Hiresha sleeps more than she lives, no time to marry and raise a family. From virgin to grandmother, all the women in her city have conceived. A lurking sorcerer drains power from the unnatural pregnancies. The only person uncivilized enough to help is the Lord of the Feast, a dangerous yet charming illusionist.

Review:
A pleasant surprise in that it lived up to my expectations. Hiresha wasn’t a particularly relatable character, being painfully blunt, but I quite liked her. Maid Janny and the bodyguard (whose name I won’t even try to spell) were wonderful sidekicks. And the Lord of the Feast was an interesting maybe-ally/maybe-enemy/maybe-more character. I quite liked him and his quandary.

The world was engaging and, while not deeply described, there was enough detail to understand it. The writing was quite readable and there is some unexpected humour.

I was a bit confused about Hiresha’s age. It’s never clarified beyond nearing the end child bearing age (she wants children and is starting fear she’ll never be able to have them) and too old for someone who wants a sweet young thing to want to rape her. But I’m guessing mid-late 30s. Old enough to have reached provost level at the university.

Her age matters to me because I’m also wondering how she managed to essentially buy the town. She was born poor, chosen to become and enchantress, I assume makes a lot of money as one (but for how long) and donated a wall to the town. But everyone seems to know her and treat her like royalty and I was never entirely sure why, especially since she hadn’t been back in a dozen+ years.

The concept of wearing 27 dresses, even if enchanted to be light, also wore on me in it’s ridiculousness. (Ha, that pun wasn’t intended.) It was never suggested that this was somehow required of her position, so I never quite understood it. Using clothing to emphasise her position and bolster her self-esteem, sure but trap herself in a cage of cloth, why?

I also found all the references to moving the dresses and almost passing out from heat exhaustion repetitive. Plus, (personal pet peeve) she almost never took them off, even sleeping in them. Ummm, when did she bathe? Not once in the whole book. Did she have an enchantment for this?

I did think it dragged a little as the reader goes through each deductive step of the investigation with Hiresha. But I also appreciated seeing her utilise her intelligence to solve the mystery.

All-in-all, I had a few complaints, but it was an enjoyable read and I’m hoping to get my hands on the sequels.