Tag Archives: magic

Ascension

Book Review of Ascension (Shadow and Light Trilogy, #1), by Felicity Heaton

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AscensionI downloaded a copy of Felicity Heaton‘s Ascension from the Amazon free list.

Description from Goodreads:
A witch on the verge of achieving phenomenal power, Lealandra must turn to her half-breed demon ex-lover Taig for protection from the dark force that is after her and also from her own magic.

With her Counter-Balance dead and her coven against her, Taig’s blood and power is the only thing that can help her control her magic and survive the ascension and gain the strength to defeat her enemy.

Old feelings come flooding back as Taig allows her into his world and Lealandra finds herself fighting not only for survival but to win his broken heart again and heal the pain in their past. Can he forgive her for walking out on him all those years ago and will he ever believe her when she tells him that he’s not a monster but the man that she loves? 

Review:
Eh, wish I’d left this one on the shelf. While the idea was an interesting one, the actual execution is a mess and frankly Lealandra was the kind of heroine I always want to slap and the gender relations are so outdated and disgusting I almost couldn’t get past them.

Let me start with some examples of Lealandra’s behavior. She returns to her ex when she needs his protection. She then kisses him, but gets pissed off when he basically says, “I’ll only help you if you have sex with me” (which also makes him a big dick, even after Lea’s internal monologue says he’s only saying it to get back at her for leaving) but spends the whole book giving him very obvious mixed signals (because she really loves him and wants to have sex with him, despite refusing). She gets jealous of him speaking to another woman, so she throws herself into obvious danger and gets herself drugged and almost assaulted, requiring rescue. She get’s angry at the bad guy and then charges in to fight him, so unprepared she literally didn’t even put clothes on (yes, naked). Again, needs rescuing while thinking, “I wish I’d listened to Taig.” She allows Taig to constantly talk about possessing her, owning her, releasing custody of her, taking care of her, protecting, etc. She lived with a man for six years who didn’t “allow” her to do something she needed. Her impending ascension means that she isn’t able to control her own body or sexuality. (God, that is such a common theme in romance books and it always pisses me off.) She’s 32 bloody years old, but acts and is treated like a child.

Basically, Lea’s character, which we’re told is strong can, be summed up in this disgusting quote

Usually she was strong, but around him, she felt as though she didn’t need to be. She could be the woman she was inside, without fear of him thinking that she was weak. He would protect her.

Because apparently she can’t simultaneously be the woman inside and strong? Because obviously no true woman would want to be strong when there’s a man available. Blerg.

And this is all highlighted by the fact that she basically doesn’t do anything but cower and lust over Taig for the whole book. Even defeating the villain, who we’re told is weaker than her (but male) requires this:

It was his power that allowed her to do this, that would see her end this fight and become the victor. It was his strength all along that had helped her, through both the ascension and also through what lay ahead. She would always need him and his power, his support and guidance, but most of all his love and devotion.

Blerg. Because god forbid she both have her own strength, power and skill and be a woman!

Then there is the actual writing. It could have been ok, a bit purple but readable, if it wasn’t so damned repetitive. We are told the same things over and over and over again. Then those same things are contradicted over and over and over again. Just so we can be told or shown the opposite again. The internal monologues are endless and always focus on sex or the other person’s body, usually when the character is in pain or running/fighting for their life. Sure, his sexy abs are just what I’m thinking about when trying not to die.

The plot is incredibly weak, mostly because there is sooooo much sex, talking about sex, fantasizing about sex, refusing to have sex or, well, sex (most of which was of the hammer and nail variety. He basically just gracelessly pounds her and apparently that’s erotic and gets her off) that there is almost no room left for plot or character development. There is one side character, who gets mentioned repeatedly throughout the book, but isn’t introduced or explained until 80% in. Similarly, there is no build up to the final fight. Suddenly, with almost no explanation, they have a team fighting with them and are in the middle of it.

Very poor. I have no desire to continue the series, thank you very much, even if the hints for book two started getting dropped at about page 10.

The Shadow Revolution

Book Review of The Shadow Revolution (Crown & Key #1), by Clay & Susan Griffith

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The Shadow RevolutionI received a copy of The Shadow Revolution, by Susan and Clay Griffith from Netgalley.

Description from Goodreads:
They are the realm’s last, best defense against supernatural evil. But they’re going to need a lot more silver.
 
As fog descends, obscuring the gas lamps of Victorian London, werewolves prowl the shadows of back alleys. But they have infiltrated the inner circles of upper-crust society as well. Only a handful of specially gifted practitioners are equipped to battle the beasts. Among them are the roguish Simon Archer, who conceals his powers as a spell-casting scribe behind the smooth veneer of a dashing playboy; his layabout mentor, Nick Barker, who prefers a good pub to thrilling heroics; and the self-possessed alchemist Kate Anstruther, who is equally at home in a ballroom as she is on a battlefield.
 
After a lycanthrope targets Kate’s vulnerable younger sister, the three join forces with fierce Scottish monster-hunter Malcolm MacFarlane—but quickly discover they’re dealing with a threat far greater than anything they ever imagined.

Review:
Really quite enjoyable. There was a lot of action here and two subtle romantic subplots…ok, one subtle romantic subplot and one hint at a future subtle romantic subplot. Either way, I liked knowing it was there but having it never come to the fore. I liked that the women were strong, ingenuitive, action-takers and I liked that the men let them be agents of their own destiny, never insisting they stay behind where they’d be safe and protected.

I suppose I could argue that this same acceptance and admiration for Kate and Penny’s outspoken, take charge attitudes (not to mention the women’s behaviours itself) was completely anachronistic to the Victorian setting, But since I enjoyed it, I’m willing to roll with the inference that since they’re all outsiders of one sort or another that explains it. It doesn’t really, but I’ll take it.

The book did get bogged down in endless fighting at times. I’ve no problem with violence or even gore, but at times it went on so long it began to feel redundant. Along the same line, there seemed to be an endless supply of mindlessly violent werewolves to fight through, despite being told they were rare. Which also led me to wonder why it was only little Charlotte who wasn’t in a beserker rage and therefore available and willing to side with and assist the ‘good guys.’

All-in-all, a fun start to a new series that I’ll be more than happy to continue.

Book Review of Afterworld (Orion Rezner Chronicles #1), by Michael James Ploof

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AfterworldI downloaded a copy of Michael James Ploof‘s novel, Afterworld: The Orion Rezner Chronicles from the Amazon free list. (However, I had it mislabelled and picked it up to read thinking it was a request. Sorry requesters, I meant for this read to be one of yours.)

Description from Goodreads:
Seven years have passed since the Culling of 2033 which killed most of the world’s population. Vampires, werewolves, and demons have begun to emerge from the shadows, and they are hungry. Boston, one of the last vestiges of humanity, is protected by a spell shield created by the Wizard Council. The shield is the only thing keeping the city safe.

Having studied the Craft for two years at Harvard Witchcraft and Wizardry, Orion Rezner embarks on his final rite of passage. But his first mission outside the city walls forces him to make choices he wasn’t prepared for. Narrowly avoiding possession by an ancient demon, he learns of a plot to destroy the spell shield and expose its survivors to the horrors outside.

Suspected by the wizard council of having been compromised by the encounter, Orion is unable to convince them of the danger. With the help of his closest friends and ghostly mentor, Orion sets out on a desperate quest to thwart the demon’s plan any way he can–before it’s too late to save the city.

Review:
Ummm, it was Ok I suppose. I wasn’t all that impressed, but I didn’t hate it either. I think my issue stems from the fact that I’m not sure where the book falls genre-wise, therefore I can’t decide if my expectations were skewed or not.

This is post-apocalyptic. An orchestrated mega-virus seems to have wiped out most of the world’s population and a large chunk of the remaining humanity are stigmatised and seem to live in some Mad Max rendition of future Earth. It’s set in 2041 (or there abouts), but all the pop references are from the 1980s and 90s, making it feel contemporary even as it’s futuristic. So, Sci-fi maybe? But then there are witches, wizards and priestly mystics performing exorcisms. (Apparently there are vampires, werewolves, unicorns and so on, too, but you don’t see any.) So, fantasy or even urban fantasy maybe? Then there is the monkey named Dude and a disturbing number of fart jokes/references. Are we then in a humorous novel? The main character is at least in his mid-twenties. (He has a college degree and a 2-year apprenticeship.) But he speaks like a frat boy, slash, surfer. Seriously, it was all “wayyy,” “Hell to the yeah.” Plus the book is full of Harry Potter like magic. So, is it YA? NA? They curse, so maybe even adult? I have no idea.

So, not knowing how to categorise and therefore think about this novel is a problem. But so is the fact that it just feels very random. We catch up with Orion on the day he takes his final test to become a wizard. Then we follow him as he runs around and does a lot of essentially random stuff. In the grand scheme of the series it might all have a place, but in terms of this book, we aren’t given enough background to understand his choices and situate them in an overarching plot-line. As a result, I never felt engaged with him or cared that much about him and what was happening.

This was exacerbated by the fact that he was just so dumb. I know that in his narrative some of that apparent stupidness was self-deprecation, (and some of it’s actually pretty funny) but he did a lot of really unintelligent stuff, even when he should know better.

If I was a 16-year-old boy I might relate to Orion and like the book more than I did. The writing was fine and I don’t remember much about the editing, which means nothing stood out to me as wrong. I think this is just a case of not quite the right reader. But as I didn’t hate it either, I’ll give it a grudging “grunt of approval.”