Tag Archives: paranormal

Book Review of Phoebe and Seithe (Neuripra, #1), by Poppet

Phoebe & Seithe

I grabbed Phoebe & Seithe from the Amazon  free list. It’s by someone named Poppet. I tell ya, that’s gonna wreak havoc on my last-name, first-name alphabetised list of reviews. I’m just sayin’.

Description from Goodreads:
Phoebe has the worst taste in men and after storming out on Brian she goes from the hearth into the pyre. Seithe has an immediate hold on her from the moment they touch. He’s more dangerous than Russian roulette and yet he makes her feel alive, exhilarated, safe. Infected by his intoxication she is obsessed with the man who changes more often than a chameleon at a disco. 

Seithe is more than a man, he’s a supernatural, one who puts Phoebe into immortal danger. Now she’s hunted, betrayed, and deliberately misled. 

This is a scorching journey to reawaken your senses. Phoebe’s light can only be found in the darkness of Seithe’s home, in his bedroom, in his arms.

Review: **spoiler Warning**
I’m torn on how to rate this one. At some points, I really liked this book. This is important to note, because I’m about to list a series of complaints that will make me sound like I didn’t. But they were the potholes in an otherwise smooth experience. While generally enjoying the book, I had some really frustrating moments reading it.

The first came about because of the unique writing style. It uses a lot of short, clipped sentences, often consisting of a single, descriptive word. “Angry.” “Hot” “Scared” “C-c-c-cold” This is definitely used stylistically, as opposed to a lack of writing skill and it does fit the tone the book wishes to create, especially since Phoebe spends so much of it angry, but it also doesn’t allow for a lot of description. I happen to like those details and I missed them.

The unexpected writing carried into the romantic scenes too. There is a lot of foreplay in this book. A full 39% of the book progresses in various forms of sexual teasing (really, there’s little else) before there is a sex scene and it’s the most obfuscated sex scene I’ve ever encountered. Not un-erotic, but not clear on what’s happening either. Really, they all kind of felt that way. They were sexy, but more because of Poppet’s descriptions of emotions than actual actions. I feel like I should call this erotica, but on reflection the sex isn’t graphic at all. It just feels that way. Odd, I know.

Also odd is the fact that Phoebe accepted all the strange paranormal things she encountered 100% without question. She noticed them, rationalised some of it away and simply ignored the rest. There wasn’t any sense that she thought it strange that peoples’ eyes and hair changed colors “every 32 seconds” or that Seithe could blind her at will or transport them about. None! How realistic is that? For me this was a strong weakness in the plot and it REALLY needed to be addressed.

This lack of believability was exacerbated by Phoebe’s amazing ability to trust. The fact that the whole thing has a satisfactory ending doesn’t really negate the fact that Phoebe was almost too stupid to live for returning to Seithe again and again. Really, all logic suggests that she should have been running like hell in the opposite direction. He kept insisting she trust him and then doing things that PROVED she shouldn’t (BIG deal type things, you know, like try and kill her), then insisting she trust him again. And you know what, like a mindless idiot she did. This was amazing to me.

I also couldn’t always follow her leaps of logic about why Seithe was doing the things he did. Sometimes it felt like magic that Phoebe understood. For example, at one point he was feeding her and she suddenly understood that he was trying to teach her about instincts. I get the linguistic gymnastics going on here, he was putting food IN her mouth, therefore it could lead to INstincts. But somehow seeing those words on paper and connecting random actions to a meaningful but vague theme aren’t quite the same thing. How did Phoebe get there? There were a lot of these sorts of miraculous “ah-ha” moments. In fact, the happy ending comes about because of one.

Lastly, to have the whole thing boil down to some form of brotherly one-upmanship, that instantly dissolved with no lingering ill-feelings a) stole a little of the books gravitas and b) was damned unbelievable. I mean, come one, Phoebe had made her choice abundantly clear, so why did the trial have to happen? And if the two were so hostile toward one another how did they make peace so quickly? Not to mention the fact that they pretty much hijacked phoebe’s life, manipulated, terrified and forced her to question her own worth. How come she wasn’t pissed off? Felt like a very convenient HEA to me.

Again, there were a number of aspects of this books that made me go “grrr,’ but for the most part I enjoyed the experience of reading the book. I’d be more than up for reading another of Poppets works.

On a side note: I THNK that this is a repackaging of the Pravus series (or more exactly, a combination of the Pavus and Neuri series), making this a retitle of Seithe: Pravus. This is an issue for me, because I happen to have a copy of Zauran (Pravus, #3) that I picked up on the free list last year. I think it’s probably repackaged as Zaria and Zauran, which is listed as book 2 of the Neuripra series. I’d read it now if I was certain it was the same storyline. I really hate uncertainty in these matters though.

Agent I1 Tristan

Book Review: Agent I1: Tristan (The D.I.R.E. Agency #1), by Joni Hahn

Agent I1

I downloaded Joni Hahn‘s Agent I1: Tristan (The D.I.R.E. Agency #1) from the Amazon free list. At the time of posting, it is still free.

Description from Goodreads:
Credentials:
• Second generation Former Navy SEAL
• DIRE’s top agent
Enhancements:
• Teleportation
• Invisibility

Raised in the art of warfare, Former Navy SEAL, Tristan Jacobs, has always been a force to reckon with. Now that D.I.R.E. has successfully implemented his scientific enhancements, he’s a walking weapon. Unstoppable, as long as he stays focused. No relationships.

When ex-BUD/S teammate, Aidan Monroe, interrupts his long-awaited sabbatical to call in a favor, Tristan reluctantly fills the simple request: take out his sister’s fiancé.

One problem: Rachel Monroe – smokin’ hot, kind-hearted, and in desperate need of a protector. After the best sex of his life, Tristan’s afraid unstoppable is just a memory. Knowing Aidan’s temper, Tristan could be, too.

Rachel Monroe had a plan to help her mother. Her brother ruined everything when his gorgeous, super-agent friend teleported her to some forsaken island – and his bed. She’s drawn to him despite the fact he’s a professional agent, much like the people suspected of killing her father. 

Now, his enemies have come to her small town, looking for vengeance. 

Have they found more than they bargained for? Or, does the past have its own retribution in mind?

Review:
Here’s the perfect way to describe the forgetableness of this book. Last night I finished a book and went to bed, with the intention of reviewing it this morning. This morning, I took my Kindle to the gym and started this book while on the stationary bike. When I got home, I reviewed the book I finished last-night and then sat down to look at my Kindle Collections to pick out what to read next, completely forgetting that I had started and read 30% of this book already. It made that little of an impression. When I finally remembered having already started it, I sat down to finish it up.

Now, don’t misunderstand me. I’m not necessarily saying it was a bad book. I’m sure we’ve all read those books that we don’t love, but we don’t hate either. They’re like cotton candy—a shot of sweetness that you can only savour for a moment and then leaves very little memory of itself. Yep, that’s what this book was like. 

Seeing the emotionless Tristan become attached to someone was nice. The fact that Rachel wasn’t a complete pushover was appreciable. Her ultra-protective brother was fun. There were plenty of ‘aww’ moments and the sex was pretty mild. 

However, quite a lot of the plot was just skimmed over or just plain unbelievable. For example, I’m still unsure why Aidan called Tristan to guard Rachel in the first place, other than that he disliked her fiancé. That seems a little extreme. As far as I can tell there was no actual risk to Rachel that Aidan would have been trying to protect her against. 

There is also a lot of history between the older generation of characters that isn’t explored. The science isn’t well explained. And the romance is lightning fast. It isn’t insta-love, but within a matter of a day or so Tristan and Rachel fall madly in love and are willing to essentially throw their established lives away to be together. It too seems a bit extreme. 

For a quick, fluffy read, this is worth picking up. If you’re looking for great literature….um, it probably won’t fit the bill. It does actually end, though. Yes, that’s right, no cliffhanger!

Immortal Becoming

Book Review of Immortal Becoming (The Enlightened Species, #1), by Wendy S. Hales

Immortal BecommingI grabbed Wendy S. HalesImmortal Becoming (The Enlightened Species, #1) from the Amazon free list.

Description from Goodreads:
Shane Einar is a five hundred year old Volaticus Elven warrior, sworn to duty and honor. His species has inhabited the earth since the beginning of time. The sources of vampire, elf and fairy myths, Volaticus are in reality something altogether different. He never expected to meet Jess Reed. A female living amongst humanity completely unaware that she is Hulven, a human/Elven hybrid race of Volaticus, or that she is on the cusp of Becoming into her Elven traits.

Shane should turn Jess over to the Symbiosis of Species Council, SOSC. His attraction to her along with her ability to enrapture him with a smile bars him from it. He rightly suspects that this female is his bloodmate. 
Jess had always been psychic, a painful and confusing fact of her life. With Shane’s loving support she learns to control her abilities and discovers the psychically enlightened species that share this world. 

Together they sacrifice the power of their bloodmating in the battle to save females from breeding cages under the control of an Elven rogue.

Review:

**mild spoiler**
This book has a ton of great reviews and very few bad ones. I guess I’m in the minority, but I found myself constantly annoyed at with it. The writing was simplistic, but passable. So, that wasn’t the issue. It was the characters and some aspects of the plot that made me alternatively scoff, roll my eyes, groan, growl and cringe and almost never laugh, smile, or blush. I just didn’t particularly enjoy reading it.

Important things, like the kidnapping of a relatively major character and the fight around it were glossed over quickly while other, less important things (Jorie’s low iron level drama, for example) were described in excruciating and never-ending detail.

I’m also fairly sure it’s meant to be PNR, not erotica, which means that the focus shouldn’t be more heavily centred on the characters’ sexual relationship than the rest of the plot. But, as much as I love a steamy sex scene or two (dozen), here the amount of time dedicated to the Jess and Shane’s sexual attraction (not necessarily actual sex, but thoughts, actions, words, etc related to their attraction to one another) eclipsed the story.

Plus, it had one of the most ridiculous virginal sex scenes ever. Please! So unrealistic. I don’t demand realism in my fantasy, but I do expect not to spend the whole time so distracted by the lack of realistic emotions, actions, reactions, etc. that it ruins the experience. The sex didn’t really improve after that, either. As example, at one point Jess gets two swats on the butt and is then said to be ‘close to orgasm.’ Really two slaps on the bum (15 seconds worth) is all she needs? She then literally orgasmed on entry (another 15 seconds). Ugh.

I was further infuriated by Jess’ version of post-coital pillow talk. The cliché sexually molested foster child disclosure…seriously, can authors not think of any other history for female characters? I swear I’ve read this same scene, or some slight variation of it hundreds and hundreds and hundreds of times. I’m so sick of it. Both because of the repetitive nature of encountering it so regularly and because it’s often irrelevant to the rest of the plot. I consider it a cheap attempt at character development by giving the girl a tragic past and generally think poorly of most authors who use it. Not always, sometimes it’s important. This wasn’t one of those times though. It contributed nothing of importance to the story, so why include it?

Plus, Jess chose to disclose this little gem of history right in the middle of an otherwise happy scene with a man she’d known for mere hours. As if this wouldn’t be a total downer, or she wouldn’t worry about it being too heavy for their infantile relationship, or she wouldn’t be embarrassed. As if this was a perfectly natural thing to bring up at that point in time, with that person. It was not! It was ridiculous. Predictable. Unnecessary. It didn’t even flow naturally. She wasn’t supposed to have been having a flashback or have been reminded of it by the sex. She just blurted it out of nowhere. Again, why?

Shane, predictably, wasn’t put off by any of this. He just went on thinking how amazing/strong/etc she was. This was a theme for him. Love will do that to a guy, I guess. But the thing is, for most of the book, I didn’t see Jess do anything noteworthy to earn this respect. She cried at the drop of a hat, was too stubborn, and had a tendency to just accept anything put in front of her with little to no critical thought.

As I mentioned, most of the writing is fine. There are some editing issues, but they aren’t too distracting. What was though were the thousand-year-old immortals who talked like teenagers. I don’t just mean using modern slang. That would be bad enough, but things like referring to another as Mom (even though the point was made elsewhere that due to their long lives they generally call their parents by name). Hearing a 3000+ year old man call, ‘The yard is clear, Mom.’ was just WRONG on so many fronts.

The book has an interesting idea. If the world-building had been a little more robust it could have been really good. Ms. Hales obviously has done a lot of thinking about the different species, the political system, the biology etc. The outline is there. But it’s fairly complex and since not enough time is dedicated to explaining it, the reading is left confused by it. But it would be unfair to not point out that there is a really interesting world being developed here.

I have the rest of the series and I imagine I’ll read them at some point, but not right not. According to the blurbs, the heroine in book 2 has been used for a blood/breeding slave for decades (repeatedly raped and impregnated), the heroine in book 2.5 is saved from a gang rape by the hero and in book three we’re back to the breeding slaves (rape, rape, rape, anyone else see a theme in here?) Since, as I’ve mentioned, rape as an easy plot device isn’t something I enjoy, I can only take so many books BASED on female victimhood in a row. I guess I’m just odd like that. So, I need a break from the series before I can finish it out. (Though I have to admit the temptation of Gil and Innanna…)