Tag Archives: romance

psycop partners

Book Review of Partners (PsyCop #1-2), by Jordan Castillo Price

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Psycops: PartnersI’ve had Partners, by Jordan Castillo Price on my wish list for a while. My husband recently bought it for me. (See, I knew there was a reason I married that man.)

Description from Goodreads:
Featuring two PsyCop novels, Among the Living and Criss Cross, this volume will leave you on the edge of you seat, wanting more.

In Among the Living, Victor is a PsyCop, also known as a member of the Paranormal Investigation team. He’s not popular with the living, as most people consider him a little odd, but the ghosts of violent crimes can’t wait to tell him all about their deaths. His new case pairs him with Jacob, a non-psychic who works in sex crimes. Victor and Jacob have a history, and as they work together to solve a set of serial crimes, they begin to explore the possibilities of a future. The case is like nothing they’ve ever experienced, and soon Victor finds that he’s the only one who can solve the crime, and save Jacob’s life. If he’s not too late.

In Criss Cross, Vic figures life is pretty good. He’s got his lover, Jacob. He’s got some time off to go fishing, and his new partner in the Paranormal Investigation Team buys the coffee. Naturally, nothing that good can last. When Vic starts to see ghosts everywhere, things go very wrong, resulting in a trip to his doctor, who says he’s got problems. Vic’s friends tell Jacob he has to leave for Vic to get better, sex is starting to get dangerous, and Vic’s abilities are getting out of hand. Can he and Jacob figure out what’s happening in time to save Vic from becoming a pawn in a dangerous game?

Review:

Among the Living
I am a total sucker for M/M cop stories. I just am. I admit it. And I found Vic and Jacob a wonderful combo—one so willing to pursue and one barely keeping up with the idea of being pursed, but not resisting either.I also liked that the language was real and not glossed for PCness. How do I express this? At one point, for example, Vic states that a room was full of black boys. But as a reader you understood that this was nothing more than a physical description of the people inhabiting the room. There was no judgement inherent in it or slight intended and thus Vic could skirt the ‘is it PC to say this’ question. It got around the overly scrutinized way many Americans’ sphincter clenches in fear every-time someone dares describe a racial minority. (Please don’t get me wrong, in the same way I appreciated the book’s frankness, I don’t mean to trivialize or demean the very real stresses that still exist in America. But after several years living abroad, I’ve come to appreciate that not only our utter inability to even talk about the subject, but also our unwillingness/inability to allow the language around race to become normalized and uncharged is prohibitive and I was impressed by the authors willingness to allow the color of a character’s skin to be as normal and non-angsty as hair color. Plus, there simply were characters of color.) Similarly, Vic’s observation of his own and the victims’ gayness felt natural and non-titillated.

While I enjoyed the mystery, I was bothered more than once that Vic had information that the other detectives needed but he never provided. And I thought Lisa’s contribution made the whole thing feel a little too easy.

All in all, though, I really quite enjoyed it.

Criss Cross
Again, I quite enjoyed this story by Price. I’ll definitely be looking to finish the series and keeping my eyes open for others. I found Vic and Jacob hot together and Jacob is just so wonderfully accepting and understanding. He makes me swoon.

I did think Vic came across as pretty wimpy for a lot of the novella, though I understand he was kind of experiencing constant trauma. I also thought  it was all a little predictable. I had it figured out quite early and I thought the plot line (as in who was the bad guy, etc) was one I had read many times before, even if not necessarily with the psychic aspect. And, for being the elite of the bureau they sure don’t seem to vet their officers very well.
For Real

Book Review of For Real, by Alexis Hall

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For RealI received a copy of For Real, by Alexis Hall from Netgalley.

Description from Goodreads:
Laurence Dalziel is worn down and washed up, and for him, the BDSM scene is all played out. Six years on from his last relationship, he’s pushing forty and tired of going through the motions of submission.

Then he meets Toby Finch. Nineteen years old. Fearless, fierce, and vulnerable. Everything Laurie can’t remember being.

Toby doesn’t know who he wants to be or what he wants to do. But he knows, with all the certainty of youth, that he wants Laurie. He wants him on his knees. He wants to make him hurt, he wants to make him beg, he wants to make him fall in love.

The problem is, while Laurie will surrender his body, he won’t surrender his heart. Because Toby is too young, too intense, too easy to hurt. And what they have—no matter how right it feels—can’t last. It can’t mean anything.

It can’t be real.

Review:
Another stellar read from Alexis Hall. I really shouldn’t be surprised. I’m getting pretty close to card-carrying fangirl status, if I’m honest. I thought this one was quite different from anything else I’d read by him; Shackles maybe coming closest. (Though, I haven’t read his whole catalogue.) But I was skeptical picking it up because of the BDSM theme. I simply haven’t had great luck with such books.

I get that BDSM is having its moment in the book world, right now. There seem to be an unusual number of ‘romances’ coming out using it as a schtick…or a theme, maybe. But I find that as much as I like the idea of it, I’m almost always disappointed, if not disgusted by them.

Because, here’s the thing, I don’t know what it’s like in a real-life BDSM pairing, but the overwhelming number of books I’ve read with BDSM read like what my dear mother, who despises anything that removes the sacred from the sexual, calls ‘mutual masterbation.’ In other words, the characters in the scenes feel not like two people engaging in  a meaningful way and having sex with one another, but two people individually using the other as an object for masterbation, connected by nothing more than proximity and ocular availability. And I rarely find that anywhere near as sexy as it’s intended to be. (My own interpretation of Dalziel’s jadedness, coloured by my own experiences of course, was that he was sensing this same tendency to force a partner into a fantasy mold that you act upon, instead of engage with on a personal, human level.)

This is where For Real shined for me. I understood both Dalziel and Toby’s needs and how/why they filled those needs for one another. I saw how hard they each worked to make the other happy and I understood the BDSM aspect of their relationship as something other than a fantasy one individual perpetuates on another. I didn’t need a narrator to repeatedly reassure me that the scene wasn’t abuse because the sub really was enjoying it, because I could see that and I understood why. And. It. Was. Beautiful.

Both Dalziel and Toby were wonderful characters. I especially appreciated that they weren’t flawlessly gorgeous people, beautiful to eachother, sure, but Dalziel was blunt and often angry looking and Toby was too skinny and had acne. I really love finding relatable, normalish people in books. I also thought Toby’s teenaged voice was marvellous, though I was admittedly skeptical about a man/boy who got a D and an F on their GCSEs having the vocabulary, poetic familiarity and general depth of thought of an Oxford scholar. But I was able to roll with it.

There were some fun side characters—the bisexual best friends with an obviously open relationship, Angel with the purposefully vague gender, Dominic the Dom (who played the alto-sax and seemed to be an unbearably nice guy), the free-love mother, the academics. Man I’d love to see Jasper and Sherry get their own book.

And as always, Hall managed to rip my heart out with the unintentional cruelties of lost love. I was never sure if I wanted Robert to suffer horribly or not—not for ending a relationship necessarily, relationships die, but for not seeing the ongoing injury his actions cause. Does such a person deserve to go on and be happy if he’s so unaware of his own destructive wake? Or am I just truly so unforgiving?

My complaints are few on this one: the overly intellectual nineteen-year-old I mentioned above, the fact that anyone as open and honest as Toby would be hard to find in real life, the fact that I didn’t feel I got to know Dalziel outside of his submission very well, and a couple of the scenes took on such a dream-like quality as to stand out as somewhat unmatched to the rest of the book.

All in all, I loved it. I’m not one who usually rereads books. My recall is such that I remember too much to ever have that fresh new feeling with a story. But unusually, I could see myself reading this again just to re-experience it.

The Unleashing

Book Review of The Unleashing, by Shelly Laurenston

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The UnleashingI received an ecopy of The Unleashing, by Shelly Laurenston from Netgalley.

Description from Goodreads:
Kera Watson never expected to face death behind a Los Angeles coffee shop. Not after surviving two tours lugging an M16 around the Middle East. If it wasn’t for her hot Viking customer showing up too late to help, nobody would even see her die.

In uncountable years of service to the Allfather Odin, Ludvig “Vig” Rundstrom has never seen anyone kick ass with quite as much style as Kera. He knows one way to save her life—but she might not like it. Signing up with the Crows will get Kera a new set of battle buddies: cackling, gossiping, squabbling, party-hearty women. With wings. So not the Marines.

But Vig can’t give up on someone as special as Kera. With a storm of oh-crap magic speeding straight for L.A., survival will depend on combining their strengths: Kera’s discipline, Vig’s loyalty… and the Crows’ sheer love of battle. Boy, are they in trouble.

Review:

INTERESTING CHARACTERS SEEKING PLOT TO PERFORM IN
Must be action packed and accepting of humour, violence and dogs.

This book is a mess. It has so much potential though. The idea is interesting. The characters, though shallow and undeveloped, are funny. The world, though inconsistent, could support a series. The first chapter sets the book on the right path, even if it does deviate immediately. There is material here to make something great.

Despite all of this, the book is a dud. Why? Because the closest thing it has to a plot, beyond ‘hey, here is a woman and here are a lot of volatile, hostile, RANDOM people she meets one day,’ comes out at 88% and is only introduced before the book ends on a cliffhanger. In other words, this whole 400-page book is essentially a prologue and not even a very good one.

In the introduction, the author states

…The first book in my new series, Call of the Crows, and right off the bad, I want you to understand that this is not a rewrite of an old book nor is it a fleshing out of an old book. The Unleashing is a brand-new book and series, with brand-new characters, brand-new locale, and brand-new trouble. Although my book Hunting Season, which has been out since 2005, was the start of this idea…The Unleashing is me taking the whole thing to the next level, and it’s a definite stand-alone.

I mention this because I think the author doth protest too much and, though she may believe it, I don’t. Or rather, either this book does depend on the previous book to support this book’s world-building or this book’s world-building isn’t very well developed.

Here is an example. At one point two Crows are discussing their wings. One (Annalisa) states it took her wing 6 months to come out. The second (Maeve) said her’s took a year. Kera has been with the Crows 2 or 3 days, but someone decides her wings need to come out now. So, she arranges for the man Kera likes to accidentally walk in on her without a shirt on, somehow thereby forcing the wings to emerge.

But I sat there wondering how that worked. If one character waited 6 months and another a year, then is there something biological that needs to be waited on to develop wings? If not, if it’s just the odd hunching movement a woman would make to cover her breasts when walked in on that forces ones’ wings out, then why would other characters wait so long instead of just being taught how to get their wings? It makes no sense and isn’t explained at all. I mean this in the sense that the author doesn’t even try to explain it and as a reader I had no idea why or how a Crow’s wings come into existence. I was left wondering if it’s explained in The Hunting. I wondered this on several occasions.

This lack of teaching was a constant irritant to me. I understood that the Crows were supposed to be wildcards that didn’t do well with too much structure. But how is a 1,300-year-old institution supposed to survive if newcomers are treated with such open hostility, told NOTHING about their situation and literally expected to be able to fly without a word of instruction? (Especially when also being told repeatedly, “You can always trust a fellow Crow.” Um, pretty sure I saw no evidence of that.) It felt very much like all of the slapstick results of Kera’s lack of appropriate mentoring were only there for the laugh. Like, “Oh, look a topless woman is having a cat fight. Ha, ha, ha…” (And this after she already kicked some serious ass while naked.) Meh.

The book also starts with Kera waking up and being an awesome asskicker. I had such high hopes for the book at this point. That asskicker doesn’t show back up until around 85%. The whole rest of the time Kera just wonders around meeting random, vapid Crows more concerned with the thickness of Kera’s thighs than fighting, doing completely random things and falling gracelessly in love with Vig. And while there was a lot of humour in these women’s shallow comments and ridiculous antics, it’s all POINTLESS and often over played.

It was kind of like seeing Kera join a homicidal sorority (of the Legally Blond variety). And with the Ravens having conversations like this:

“Is pussy really worth what you’re about to do?” the Raven leader asked.
Vig’s brow furrowed as he immediately replied, “Yes, it is.”
“He’s right,” Stieg agreed. “It is.”
“Totally worth it, dude.”
“He’s right, bruh. It’s absolutely worth it.”
“I can’t believe you’re actually asking the question.”

the Raven’s feel disturbingly like a gang of marauding frat boys. (And you’re guess is as good as mine about how many people are involved in that discussion. It’s no clearer in context than in a floating quote.)

Then there is Vig, the love interest de jur and another inconsistent character. He’s said to be scary and dangerous. But we’re shown a quiet, introverted, nice guy. Don’t get me wrong, I liked him. He’s cute. But despite everyone saying how frightening he is, no one, not one single person, shows any fear of him and not once does he do anything to support this assertion.

There are also about a million faceless Crows. You are constantly meeting new ones and losing track of others. And in this endless flow of Crows you get a barrage of wealthy, successful, famous people. After a while it became cheesy (and not the good kind), as if each new famous face is only there for the effect instead of any importance.

All in all, I found this a weak, plotless Urban Fantasy that leans far too heavily on its attempt to be sharp and witty. Its effort is too apparent. It’s trying too damned hard and therefore fails miserably. The writing itself is fine (except for the constant head-hopping), the editing passed muster, and I appreciated having a POC as a main character (as well as most of the female side characters) but I have no desire at all to continue the series.

A note on the cover: I have to ask, considering the book is about a woman (Kera) as she joins and adjusts to an all female fighting unit, why is there a man on the cover? I assume it’s mean to be Vig, but he’s not the main character, so why does he get to be on the cover? It seems to be putting the emphasis on the wrong character.