Tag Archives: fantasy

Review of books 1-4 of Poppy Dennison’s Triad series

I picked up Poppy Dennison‘s Triad Series from my local e-lending library.

Mind MagicDescription:
Magical species must never mix. According to the rules, Simon Osborne should ignore the children’s cries for help. After all, they’re werewolf cubs, and he’s an apprentice mage. But for once in his life, Simon breaks the rules and rescues the cubs, saving them from a demon intent on draining them of their magic.

Of course, all actions have consequences, and Simon’s bold move earns him the displeasure of his peers and the attention of the cubs’ alpha, a man named Gray Townsend.

The last thing Gray needs is a mage in his life, but Simon did save his son. Since Simon is now a friend of the pack, Gray doesn’t have much choice about it—or the forbidden attraction that goes along with it. Unfortunately for the alpha, he needs Simon’s help to track down the demon behind the kidnappings—before it strikes again. Simon and Gray must join forces to protect the pack, even as they struggle to resist the temptation that threatens to destroy them both.

Review:
A lightly amusing book but heavy-handed and inelegant. It was well edited, but the writing was really stiff. Names were used far too often to feel natural and the plot progressed seemingly without need of the characters. Certainly, they never appeared to put much effort into anything, as problems were so easily overcome.

While both Simon and Gray were likeable characters, everything about the book felt rushed. The romance was almost instantaneous, with no buildup at all. The fights were won in a matter paragraphs. The bad guy was defeated almost effortlessly. And the vast majority of the book was dedicated to domestic affairs—BBQs, sleeping arrangements, bonding with children, getting to know relatives, etc.

If you’re looking for an action-packed m/m PNR, this is not the book for you. If you’re more interested in comfortable, heartfelt declarations of eternal love, it might be. Me, personally, I have very little use for so many floating hearts and flowers.


Body Magic

Description:
A pack is only as strong as its weakest member. Rocky Harris knows how the system works. He’s been on the bottom rung his whole life. But when his alpha consigns him to the High Moon Pack to help them improve security, he finds his beliefs not just challenged but outright assaulted.

Cade Montgomery’s confidence took a hit when the pack’s cubs were kidnapped on his watch. He’s prepared to do anything to protect his family, even if it means working with Rocky. Maybe Cade doesn’t trust Rocky, but with the turmoil surrounding pack Alpha Gray’s unpopular decision to break tradition and mate with a mage named Simon, Cade knows more threats are coming.

Then someone declares war on shifters and puts the entire pack in danger. Cade and Rocky will need each other’s strengths to survive the impending battle—and the power of their growing attraction.

Review:
This book had a few qualities I love finding in m/m romances—a romantic lead that’s not cookie-cutter white (not one of  the main couple, but still a main character), a mixing up the standard sex roles (letting the little guy top), etc. And I honestly found the writing less stiff and off-putting than in book one, though I still think names were used too often in dialogue. So, for the right reader this will probably be a real winner.

However, despite involving werewolves, mages and vampires it still felt very, very much like the main focus of the book was domesticity. A LOT of time is spent watching Simon marvel at how wonderful it is to suddenly find himself part of a family, or how much he now loves Gray, or what it feels like to suddenly realise he’s a stepfather, etc. Which is fine, of course, but not what I would have expected from the synopsis.

Further, and even more irritating, Cade and Rocky, who I thought the book would be about, are mere side characters and their romance is little more than a distraction. I felt the same way about the ‘danger to the pack’ subplot. It was barely hinted at and overcome easily. Again, the main plot was happy homemaking. And unfortunately I’m just not into that.


Soul Magic

Description:
Blood runs soul-deep. Cormac hasn’t been the same since the night the High Moon Pack was attacked. With his magic weakened, he’s consumed by a bloodlust he hasn’t felt since he first became a vampire. His need to replenish his power makes him a danger to his last remaining family member, and his hunger makes him careless. And that’s just the beginning of his troubles. Feeding from pack beta Liam Benson was supposed to slake his appetite, not leave him craving more.

Simon Osborne and Gray Townsend are trying to fight a being history says shouldn’t exist—one with all three types of magic. The pack must use all of their resources to combat the mysterious triad, even turning to the shady Council of Mages for help. While Cormac struggles to reconcile his past failures with his current desires, Simon must attempt the impossible: an alliance between mind, body, and soul.

Review:
OK, I know that m/m romance is often (maybe even more often than not) targeted toward women and the characters and their relationships mirror m/f relationships, using a man as an avatar of sorts. I get that. I don’t read m/m romance expecting realistic gay relationships or characters. It’s a plus when they show up, but I know not to expect it on the whole.

Having said all that I was disturbed by how strongly and recognisably Simon’s character evolved into that of a mother in this book. Everything from the way he couldn’t or wouldn’t focus on anything before or beyond the safety of the children, to his propensity to cry, to his manner of overcoming the antagonist by sacrificing himself (a strong and often used trope for female characters) screamed mama and I found it an unfortunate simplification of his character. It was like all of his other character traits were washed out.

The writing here was fine. Even the tendency to overuse names/titles in dialogue, that I’ve complained of in both the previous books, only showed up in the children’s dialogue. (Though, it showed up in almost every sentence out of Garon or Riley’s mouth.) However, I have to say there was a whole lot more time dedicated to strategy planning and what-if discussions than actual action. Honestly, I was a bit bored by it all.

Further, Liam and Cormac’s relationship was at most a minor side story. There was no buildup or development. It felt like all of that was supposed to have come previously, but just because the men knew each other doesn’t mean the reader had seen a relationship develop. I’ll admit that the scene when they went hunting together was probably the hottest of the series (and it almost wasn’t even a sex scene, ’cause the following sex wasn’t as hot as the hunt), but it wasn’t enough to carry their story arc. It just felt like either a distraction from the main plot or a woefully underdeveloped story of its own. Too bad, I think they may have been my favorite pairing.


Wild Magic

Description:
Joseph Anderson was heartbroken when his childhood best friend Dominick Levent moved away. Years later, Joseph is a successful real estate broker with good friends, an easy smile, and a stunning house. When he finds a dying mountain lion who miraculously shifts into Dominick’s sister, Joseph must find Dominick and reunite him with the two young sons she left behind.

When mountain lion shifter Dominick gets a call telling him his sister is dead, he rushes home to protect his nephews and avenge his sister. Seeing Joseph brings back the feelings Dominick tried to bury and he dares to hope Joseph’s newfound knowledge of shifters means they can finally be together.

Review:
This is by far the weakest offering of the Triad series. It felt much more like an extended epilogue to address what happened to Riley’s little friends Avery and Blake (who are introduced at the end of Soul Magic) than an actual book or story of its own. Its timeline runs concurrent to most of the last book and it essentially answers the question, when Riley was being adopted by Simon, Avery and Blake were doing what?

It’s only about half as long as the other books. It also doesn’t involve a certain type of magic (mind, body or soul), which means I don’t know what the title is supposed to refer to. But worst of all, there isn’t much in line of a plot. Avery and Blake’s uncle is called back from overseas to raise them, he doesn’t know what he’ll do, his old best friend helps, they of course fall (back) in love, and eventually they merge with the High Moon Pack and have a happy ending.

Sure, it’s a feel-good, but it’s also booooring and predictable. Even worse, it doesn’t even bother with the important parts of the little bit it has. For example, after living together for a month or so while Dom tries to settle things to raise the boys Joseph takes him house-hunting. Dom finds fault with all the houses because he really just wants Joseph to ask him to stay with him. But the reader hadn’t been given even one flirty, sexy, UST, loving, etc scene. NOTHING. We’d seen Dom’s first day of work, the boys and Joseph cooking dinner with the token female BFF and that sort of thing, but nothing between Dom and Joseph. So, the reader has no emotional investment in the relationship, it doesn’t feel natural, and honestly I just couldn’t be bothered to care.

I think this series has always been about men loving their kids and families. I’ll grant that that touches an easily twanged “awww” string in me (and probably most women), but my this particular book didn’t put enough effort into the men, the kids or the family to pull it off. At the end they remained 3 distinct things and unless merged together they just don’t have any notable effect.

Image of Emeralds and Chocolate

Book Review of Image of Emeralds and Chocolate, by K. Murry Johnson

Images of Emerald and ChocolateI picked up a copy of K. Murry Johnson‘s Images of Emeralds and Chocolate from my local library.

Description from Goodreads:
In his breakout novel, K. Murry Johnson combines two never before paired genres: black gay and vampire fiction. Set in Louisiana, Image of Emeralds and Chocolate masterfully explores the past and the present. The novel speaks to all who have ever dreamed of finding romance, and captures the national obsession with vampires. The story follows Eric Peterson, a talented high school senior enrolled in a creative writing course at Loyola University. Insecure and inexperienced, he often daydreams about finding love. His fantasies quickly become reality when a strikingly attractive new student, Marquis LeBlanc, is assigned as his writing partner. But the man of Eric’s dreams is hiding something. Marquis has been severely depressed for a very long time. His therapeutic motive for enrolling in a writing class is abruptly derailed when he unexpectedly falls in love for the second time in his life. If Marquis reveals his secret, will Eric accept him…or even believe him?

Review:
I’m not going to lie. When I grabbed this book to read, I never made it past the cover (Gawd, I love a fit man’s back!) and the first sentence of the blurb. “In his breakout novel, K. Murry Johnson combines two never before paired genres: black gay and vampire fiction.” Yep, that was enough for me. Some racial and sexual diversity in a PNR/UF book? Hell yeah, I’m all for that! A black, gay vampire…*happy sigh.*

My hopes were sky high. I really wanted to love this book. I really wanted to finish it and rush out to recommend it to all my friends. The thing is that I just can’t. I still think it deserves tons of accolades for filling a niche that is in desperate need of attention, but it suffers from what I’ll call first-time-author syndrome.

The writing is very simplistic. It’s of the Eric did this, Eric said that, Eric went here, Eric thought that and THEN (big surprise) Eric felt something else sort. It’s functional. The book is even well edited. But it’s painfully straightforward and almost impossible to immerse yourself in.

I strongly encourage Johnson to keep writing though, because IMO a lot of the detractors of this book are things that will improve with practice. I’m no expert, but the anecdotal evidence of reading hundreds of books a year (many by new, Indie or SP authors) is that the too frequent use of names, stiff dialogue, understanding that some regional dialectic speech is good, while anything past some fuzzy ill-defined line of more is bad, too many unnecessary details and personal histories cluttering a narrative, annoying internal dialogue, anachronistic (if idealised) language, beliefs and behaviours, the unfailing need for a character to be involved in every historical event in recent history, and the ability to let a joke stand on its own, without the need to explain it all eventually smooth themselves out with more experience.

So, I was generally disappointed in the mechanics of the book. I was also disappointed to discover that this is a Young Adult novel (maybe New Adult). Phooey. I wanted some hot, chocolate, vampire sex. Yes, I did. And I just didn’t get it. Instead, I got a trash-talking, teen genius coming to terms with his own sexuality. It wasn’t the book I hoped it would be. Oh well.

It was however very obvious that Johnson put a lot of himself into his story. And I always make an effort to be cognisant of myself as a reader, especially when I’m probably not the intended audience of a text. Because Johnson’s acknowledgements page makes it plain that he is writing for men like himself, not women like me.

I read an interesting blog post recently. It was a bit of a thought exercise about understanding the effects of the fact that much of the  M/M literature being written is targeted to cis-gendered women (female identified straight women) and what this means to LGBTQ readers trying to find books that realistically represent themselves, even in a genre that should be for (not just about) them. This means the issue is fresh in my mind.

Johnson claims to have written this book for young, gay men of colour. That’s the target audience and I’m not an African American gay youth. If I was and was looking desperately for a character, any character, even just one measly character that I could relate to in the PNR/UF genre this would be about as close as I can imagine easily coming. So I have to be careful to not criticise the book for simply not being another M/M book targeted at me—a straight, white woman.

I think it probably accomplishes its goal of contributing some much-needed diversity to the PNR/UF genre. The writing and story just needs to be smoothed out. And I think the public service announcement aspects of it needs to have been dropped.

Turning a novel into a PSA is a personal no-no. This book addresses gay marriage, AIDS exposure among the 15-25 age cohort, the importance of safe sex if abstinence isn’t a realistic option, identifying possible racial discrimination, etc.  These are important issues. However, each is shoehorned into the plot unnaturally. It felt just like what it probably was, an attempt on the author’s part to get the message out to young readers. A fictional novel just isn’t the place.

So, I’m torn. The book wasn’t the hot vampire romance I hoped it would be. In fact, the vampire aspect played very little part in the book at all. It was predominately a coming of age story and a lot more time was spent with Eric and his school, friend, family and band issues than the romance or the vampire aspects. It made me pout. However, for someone who is looking for that type of book and is comfortable with plain, straightforward, unembellished writing this is a good candidate.

Book Review of A Touch of Midnight & Kiss of Midnight, by Lara Adrian

I grabbed Lara Adrian’s A Touch of Midnight from the Amazon free list and Kiss of Midnight from my local library.

A Touch of MidnightDescription from Goodreads:
Savannah Dupree is halfway across the country from her Louisiana bayou hometown, a freshman studying at Boston University on a full scholarship. But academic excellence is only one of Savannah’s gifts. She possesses something even more remarkable than her quick mind and insatiable curiosity for learning. With a simple touch, Savannah can see an object’s past—a skill that puts her life in danger, when her studies bring her into contact with a centuries-old English sword and the secret hidden within the blade’s history: the vicious murders of twin boys by a group of fanged creatures borne of the worst kind of nightmare.

In all his three hundred years of living as one of the Breed, vampire warrior Gideon never dreamed he’d see the blade again that spilled his young brothers’ lives ages ago on that blood-soaked night in London. Ever since the boys’ deaths, Gideon’s been on a personal quest to rid the world of Rogue vampires, but now he can’t help wondering if the brutal slayings of his only kin was something more sinister—an act perpetrated by an unknown enemy. An enemy who is apparently living in hiding somewhere in Boston. There’s one certain way to prove Gideon’s suspicion, but it will mean using innocent, gifted Savannah to help uncover the full truth—a truth that will shatter everything she knows about herself and the world around her. And with danger closing in from all sides, the passion that ignites between Gideon and Savannah will tempt them to risk their hearts and lives for a love that might just last an eternity…

Review:
Pompous, overwritten, rushed and containing every cheap PNR cliché known to man. However, I think (though I may be giving it too much credit) that since this was published well after the bulk of the other books, it is intended for pre-existing fans of the series, whose well entrenched love of the Breeds would carry the day. Perhaps it has more meaning and resonance for such readers. This is the first of the Midnight Breed books I’ve ever read and I WAS NOT IMPRESSED.

Kiss of Midnight

Description from Goodreads:
He watches her from across the crowded dance club, a sensual black-haired stranger who stirs Gabrielle Maxwell’s deepest fantasies. But nothing about this night—or this man—is what it seems. For when Gabrielle witnesses a murder outside the club, reality shifts into something dark and deadly. In that shattering instant she is thrust into a realm she never knew existed—a realm where vampires stalk the shadows and a blood war is set to ignite.

Lucan Thorne despises the violence carried out by his lawless brethren. A vampire himself, Lucan is a Breed warrior, sworn to protect his kind—and the unwitting humans existing alongside them—from the mounting threat of the Rogues. Lucan cannot risk binding himself to a mortal woman, but when Gabrielle is targeted by his enemies, he has no choice but to bring her into the dark underworld he commands.

Here, in the arms of the Breed’s formidable leader, Gabrielle will confront an extraordinary destiny of danger, seduction, and the darkest pleasures of all. . . 

Review:
Blerghhhh. Let me just pause to clean up the vomit…ok, moving on. I absolutely, 100% do not understand why people love this series! It’s horrible. I picked this book up from my local library, but prior to reading it I read the freebie prequel A Touch of Midnight. Of it I said, “Pompous, overwritten, rushed and containing every cheap PNR cliché known to man…I WAS NOT IMPRESSED.” This one wasn’t rushed; I’ll give it that. But the rest of that sentence is true. It was also incredibly, I mean INCREDIBLY predictable. 

The dialogue was stiff and overly dramatic. There were numerous large, dull info-dumps. I knew what would happen at every stage of the game. A lot of hated PNR tropes were simply strung together and called a book and the plot was so thin cheesecloth would feel more substantial. 

What’s worse, I hated the characters. Lucan was just a selfish jackass and at no point did I feel he redeemed himself. And Gabrielle was TSTL. I mean, with the exception of the times they were in bed, she spent the whole book being angry, annoyed, or scared of Lucan. So…what exactly did she fall in love with? Then, of course, because she has to throw herself into stupid danger (can’t miss that tripe…excuse me, trope) she decides to leave all safety behind in a huff because she’s mad at Lucan. Dumb. 

Plus, can I just vent a moment on how much I hate how common it is for heroines to doubt their own sanity. It’s just a cultural reaffirmation of the idea that women aren’t as strong in the mental department as men. She’s made to look emotionally and mentally weak so that she needs a strong smart man to make all her decisions for her. Ugh. Gross.

And, and, while on hated tropes…being seduced in her sleep, denies her volition and accountability of her own sexuality. Not to mention, seriously people, no woman would sleep through a man sneaking into her bedroom and performing oral sex on her. The first dip of the mattress would have most women up and screaming in fear, not pleasure. I hate this romantic trope so much.

Yeah, so, so, so, yeah, I have no more words for how much I hated this book.