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Book Review of the Altered States series by L. Harner and T.A. Webb

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I grabbed Laura Harner‘s short story Altered States and the subsequent novella written with T.A. Webb, Deep Blues Goodbye, off of the KDP free list. I then bought Deadly Shades of Gold. As of the time of posting the first two appear to still be free and MrsConditReadsBooks seems to have a giveaway running for the third (though the one thing I couldn’t find posted was the closing date. So…)

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I have to start out by saying that I almost missed out on reading this series. I’d seen Altered States on the KDP list a couple of times and never paid it any attention. It had the double handicap of being a short story, which I tend to ignore, and a cover that doesn’t really appeal to me, which I ignored. I never even read the description. Mistake. I’m pretty sure M/M vampires would have gotten my attention from the start. It sure did when I found them in the blurb for Beep Blues Goodbye. It was only when I realised that they were a set that I went back and got Altered States too.

It’s a good thing I’m a little obsessive about reading descriptions of books even if I don’t like covers. Otherwise I would have passed on DBG too. And if I didn’t read reviews I wouldn’t have realised that AS is a prequel. I would have missed out on a whole lot of fun. So thank you to all those wonderful reviewers who made that connection apparent. 

Before I get on with reviewing the series let me pause and mention that all three books…or rather the short story and both novellas wouldn’t stand alone very well. It’s one story. Each ends in a severe cliffhanger and a reader would be scrambling to catch up if they read a latter book without having read the first ones. That’s why I’m breaking my usual routine and reviewing them all as one. I’m also going to forgo my usual rant about partial books. We all know I would normally make it here, ’cause yes, none of these instalments is a full story arc in itself and, yes, that normally makes me grind my teeth (especially when they are all short enough to fit in one binding). But I’m letting it go here because I got two of the three for free and enjoyed them so very much. Moving on…

I could sum my review of this series up in one explicative ridden sentence. GAWD DAMN, THAT MOTHER FUCKIN’ SHIT IS HOT!! But, while that may be all some need to know before picking the series up (probably would have been enough for me), letting my less than eloquent inner teenager (or apparently budding cougar) out wouldn’t tell you much of substance about these gems.

The series starts out following Sam Garrett, New Orleans Police Detective and gay black man. He is smart, sarcastic, sexy, and honest in his lustiness. I love that. I found his character to be a joy. Well spoken black men are too rare in fiction and well spoken gay black men few and far between. When he is partnered with the arrogant, by the books detective Travis Boudreaux things start to go a little sideways. 

When Boudreaux later “had the bad taste to sit up at his own funeral” the series finally earns its paranormal tags. There are vampires, werewolves/bears/panthers/dogs, cops, hookers, feds, Homeland security, and mobsters involved in an ever expanding plot. There is also some really, really steamy sex. One particular dance scene had me fanning myself and I don’t even know if the M/M/M ménage à trois is physically possible. (Being singularly lacking in a penis I suppose I’ll never find out.) But Wow! 

What really struck me about AS and DBG is that they were unquestionably steamy reads, but they did this without all of the power plays. No one was dominated, subjugated, or abused in any fashion. There were no whips, blindfolds, or kinks of any sort, but the sex still smoldered. I don’t mean to make grand sweeping generalities, but I kind of think modern erotica’s frequent heavy dependence on fetishism is a plot crutch. Yes, it is titillating to read about exotic sex, but it takes a stronger story to keep the scene equally captivating without taping into people’s sense of the taboo. These didn’t go there. They didn’t need to. DSoG did a little bit in the character of Henri, but he’s the über bad guy so I can forgive it. 

In and amongst all of this testosterone-laden male goodness is a story too. There is a murder mystery to solve and a gentle romance struggling to bud. There are some wonderfully colourful characters too—Russ, Jet, Danny, and right there at the end Wayne. The man-banter between these guys is great. I can’t wait for more. 

If I understand correctly there should be another book, Free Falling Crimson apparently, out later in the year. This makes me very, very happy. 

Mercy’s Debt

Book Review of Mercy’s Debt, by Sloan Archer

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Mercy's Debt

Yesterday I grabbed Sloan Archer‘s novel, Mercy’s Debt, off of the Amazon KDP list. Lately I’ve been really agonising over which book to read next, so when I accidentally tapped this one, opening it directly after it downloaded I decided to just roll with the punches and read it right then.

Description from Amazon:
After graduating from the prestigious Dewhurst University, Mercy Montgomery finds herself in a bit of financial trouble: over $108,000 worth of financial trouble, in fact. She can’t find a job to save her life, and with bill collectors constantly at her heels, she has no idea how she will ever come up with the money needed in order to keep her head above water.

Mercy’s monetary worries seem to be over after a chance meeting with mystifyingly pale Michael Graves, who offers her a high-paying job at his company, Dignitary. But there’s a catch; the seemingly harmless Dignitary is an underground organization that offers human chaperones to wealthy bloodsucking clients.

As if congregating with the undead doesn’t make life complicated enough for Mercy, there’s a savage killer on the loose who appears to have a craving for her blood. Soon Mercy is torn between a dark and dangerous underworld of supernatural desire and a simple life of practicality, and sexy but dangerous business magnate Robert Bramson is the man she blames for her confusion. As the killer closes in, Mercy realizes that she must make a decision. But will she make her choice too late?

Review:
Sloan Archer is one talented author. I’ll give her that. Her character’s are fresh, funny, and fleshed out, especially Mercy and her roommate Liz. Their banter is some of the best in the book. She understands humour and can time a joke brilliantly. Though I’ll admit the main sex scene felt a little choppy, it still had some smoulder to it, and I like the cover.

Mercy’s Debt starts out with something a lot of recent college grads can relate to, many student loans and few job prospects. I don’t know if the completely out-of-leftfield lesbian exploration passage was supposed to be something else recent grads could relate to, funny, or a red herring of some sort. I liked it well enough. It’s something you don’t see addressed in the genre often, but it seemed to serve no purpose in the book. In fact the book, in terms of the story, doesn’t even start until Mercy meets Michael and Robert. The background information in the first couple chapters helped solidify Mercy’s character, but seemed awful long for such a short novel.

Which brings me to my only MAJOR complaint, the shortness of the novel. This is something I seem to be harping on about a lot lately. Where is the rest of the book? I’d say it ends on a cliffhanger, but that requires an ending of some sort. Something has to wrap up and conclude. This is one of those books that just stops instead. You still don’t know who the murder is, what happened to Liz, if Mercy will fall in love or accept the love offered her, pays off her debts, or lives happily ever after or not. You know the characters names and some of their histories, that the setting is in California, there are vampires and someone is killing women, that’s is.

I laughed out loud a lot in this book. I liked the main and supporting cast. I routed for the fragile hero and witty heroine. I thoroughly enjoyed myself, right up until I hit the unexpected words ‘The End’ and got a little bit angry. The situation wasn’t helped by the fact that there isn’t yet a second book to run out and buy, even if begrudgingly. I have no problem buying sequel to finish a series. It always irks me to buy sequels to finish a book and that’s what this feels like. I got a free teaser, but have to pay for the conclusion. This doesn’t leave me with feelings of happy contentment, even if I enjoyed the book up until that point.

Review of Buffy Chistopher’s Bound By Darkness

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Bound By DarknessI grabbed Buffy Christopher-Vincent’s Bound By Darkness off of the KDP free list. At the time of posting it appeared to still be free, there and on Smashwords.

Description from Goodreads:
Lila Anderson’s is having visions of murdered women in the back alleys of San Francisco through the eyes of a hero trying to save them. She’s supposed to be a dominatrix, not a psychic! This hero has a name. Drake Bennett. Drake leads a solitary life as a vampire and when Lila invades his mind he wants her out.

Then a known murderer kidnaps Lila, and uses her life experience in bondage and domination to break her and turn her against Drake. Will the deep feelings of desire she has for Drake and their psychic link be enough to save Lila before she succumbs to her dark desires?

Review:
I picked this book up solely because I thought it was interesting that the main character was a Dominatrix. I envisioned a strong, sexually dominant female who knows her own mind and body. I thought, ‘well, this could be fun.’ It wasn’t.

Lila was billed as a Dominatrix but in almost every sex scene she was playing a Submissive, getting off on her own rape essentially. (That’s Submissive with a capital S by the way.) I don’t mean to infer that  BDSM and Dom/Sub relationships are akin to rape, of course not. But in the first sex scene for example, Lila was shackled, gagged, blindfolded and whipped by a homicidal maniac that she was terrified of, knew had killed at least one woman THAT NIGHT, didn’t want to be in session with, but couldn’t escape, and had no reasonable expectation of survival. Then afterwards she cried because of the trauma. Rape. And she’s supposed to have orgasmed in the middle of all of that? Riiiggghhhttt. 

I very rarely don’t finish books, but I almost gave up at that point. I just wouldn’t have picked that book up to start with. That’s before I even get into whether I believe Maslow’s Hierarchy of Needs would have allowed her to enjoy any aspect of the experience if she was so scared for her life. Maybe I’m just being naive about the life-style, but it seems unlikely that basic biology would allow the body to prfioritize sexual satisfaction over physical survival to start with, no matter how much you like pain, need release, or how you’ve been ‘trained’. Both fear and climax require hormones and, while no expert, I would expect those that produce fear to top those that lead to sexual enjoyment. It’s worth noting too, that in those scenes in which she isn’t a Submissive, she is never once a Dominant either. 

Having read the book I can now read between the lines of the description and see that the clues were there. I just didn’t see them, so I can’t completely fault Christopher-Vincent for my dislike of the subject matter. I chose to read the book. I apparently let myself focus on the character’s Dominatrix role as the primary focus of the description instead of the “life experience in bondage and domination to break her.” Yea, that’s the theme of the book. There is no female empowerment here. If you’re looking for it, go elsewhere. I kind of wish I had.

The basic writing in the book is fine. I didn’t notice very many editorial mishaps and, though I found it exceedingly repetitive, the plots moves along. Granted this is erotic fiction. There’s probably 70 pages of plot and 200 pages of sex, most of it questionably consensual (if not wholly non-consensual).

In the end I can’t completely trash the novel. I might not have liked it, and I didn’t. I had to force myself to finish it. I acknowledge that most of those things I disliked are of the personal opinion sort. I was uncomfortable with Lila’s constant role as a victim and her sexual satisfaction during extended scenes of abuse. These men were trying to hurt and break her. There were no safe words to use, no trust or understanding that the Sub was actually a power player in the game. She was a slave.  There was never any real explanation for why Lila started having visions of Drake to start with and I thought that the centuries old antagonist was dispatched far, far too easily. These opinions can’t reasonably be seen as a reflection of the book’s intrinsic value as a piece of literature though, erotic or otherwise. I did really like the host of side characters, especially Charlie and David, and Drake was a pure, kind soul that you couldn’t help but route for.