Tag Archives: #indiefever

Shades of Grey

Book Review of Shades of Grey, by Michael Cargill

Shades of GreyBook five of my Taking Care of My Own challenge is Michael Cargill‘s Shades of Grey. I think I picked it up from the Amazon free list. But I’ve had it so long I’m not even sure anymore.

Description from Amazon:
John is not a very nice man. He works for the government. So who has tied him to a chair and what do they want?

James is a British soldier during WWII. Tom is a young boy with a terrible secret.

Three stories. Three very different people. All of them battling to survive.

Review:
Shades of Grey consists of three short pieces, two of which I would classify as vignettes as opposed to actual stories since they seem to simply relay the events of a segment of time rather than possess any sort o beginning, middle and end. Having said that, I rather enjoyed them all, the first most of all.

I’ll admit that the writing occasionally felt a little stiff and there was a certain juvenile (or maybe just male) preoccupation with excrement jokes and sexual/masturbatory references. I would be hard pressed to call this highbrow reading material, but I never got the impression it was trying to be. I enjoyed more than I grimaced at. What more could I really ask for?

Fire Rising

Book Review of Donna Grant’s Fire Rising, part one

Fire RisingI got a copy of Donna Grant‘s Fire Rising from NetGalley. This doesn’t qualify for my Taking Care of My Own Challenge, but since it was short I decided to get it out of the way.

Description from Amazon:
Sammi’s world has been blown to bits—literally. With her pub up in flames, she escapes to Dreagan, the only place she will be safe. Her plan is to recover quickly and leave quietly. What she doesn’t count on is meeting the dangerously desirable and enigmatic Tristan…

Tristan is instantly drawn to the woman seeking refuge at the Manor. Dazzled by her stunning beauty and intrigued by her silence about her past, Tristan knows he will not be able to let this woman go, no matter what the cost. And when Sammi slips away from Dreagan, Tristan is compelled to follow…

 Review:
Ok, I have to admit to a foul up when requesting this book. I saw the big old number 1 on the cover and erroneously believed it to be the first in a series. I WAS WRONG! A) It’s part one of a four part serial (that’s what the number one refers to), so it’s not even a complete book. The complete book is due out in June 2014. B) It’s part of the Dark Kings series, which is a spin off the Dark Warriors series, and the Dark Warriors series is a continuation of the Dark Sword series. (Yea, that took a little investigating.) Sooooo, maybe I shouldn’t feel bad about the fact that I was so lost.

But even though the cover and write up probably could have been clearer about its placement within an extensive preexisting world (dozens of books), I can’t really blame it for my mistake. I’ll admit there were a lot of characters I obviously should have known and didn’t, as well as a whole society and species who’s specifics I also didn’t know. (Seriously, I never even got a description of a dragon out of the deal!) This effected my enjoyment, obviously. However, I decided to try and review it without consideration for this fact. Because, again, not the books fault.

The thing is, even if I allow for not knowing the history I still wasn’t particularly impressed. Everything moved incredibly fast. I mean so fast I never had time to develop a connection with ANY of the characters, or become invested in the outcomes of events, or basically care about anything. It almost felt more like an outline of a story than a truly fleshed out one.

Then there was the romance. It’s just as fast as everything else. It’s your basic PNR, ‘he laid eyes on her and lightning went through his body’ kind of thing with no depth of any sort. So, again, there was nothing there to make me care about it.

Now, I adore dragon shifters. They’re one of my favourites varieties. I liked that the characters had obvious Scottish brogues and the actual mechanical writing/editing was fine. But I feel like this book depends heavily on a readers familiarity with and love of PNR tropes to satisfy them, i.e. if readers always love insta-love, they’ll like it here too, no explanation therefore needed. Or readers always love a arrogant, protective man, so they’ll recognise those traits here and love Tristan for it without too much description. Well, while I recognise those tropes, I don’t love them and I don’t think their identifiability exonerates the author of the responsibly of providing clarifying information. All in all, I finished feeling pretty apathetic about the book. I didn’t hate it, but I’m not rushing out for the rest of the series either.

Whisper Cape

Book Review of Whisper Cape, by Susan Griscom

Whisper CapeI grabbed Susan Griscom‘s Whisper Cape from the Amazon free list. This is review number four of my Taking Care of My Own Challenge.

Ridiculously Long Description from Goodreads:

Escape to a world where the impossible becomes possible. WHISPER CAPE is a town of secrets and Addison MacKenna soon becomes tangled in a web of them. Plagued with nightmares of her father’s sudden and brutal death, Addie struggles with her anguish and refuses to believe his demise was accidental. 

Fighting to shake off one of those devastating early morning nightmares, Addison finds it even harder to escape from the vision of a man lying on the side of the road—a man she may have just killed. When she frantically tries to locate him, he seemingly disappears, just the beginning of strange occurrences in her life. She also cannot ignore the weird sensations in her own body. Suddenly, the impossible seems possible, but is that a blessing or a curse? 

Believing that her continual and worsening nightmares are both the key to her own new abilities and the clue to her father’s death, Addie knows she will not rest until she has the answers she craves. As she strives to cope with her new remarkable talents, someone else learns of her abilities—a disgruntled maniacal psychopath with his own agenda that involves eliminating Addie. The only one who can protect her, instruct her in the use of her powers and teach her how to destroy the murderous monster is the same man who makes Addie’s heart race and her blood heat with passion. The same man she’d left for dead. 

Cael Sheridan may be arrogant and mysterious but he’s also undeniably gorgeous. A member of a secret society, he is sworn to protect the woman he believes to be the daughter of his recently murdered mentor. In the process, he finds it impossible to resist her magnetic sensuality, complicating his efforts to shield and guide her as she learns to manage her newly acquired skills. At the same time, Addison has much to teach him about trust and commitment. Fate has brought them together, but will it make them stronger or destroy them both in end?

Review:
I have to be honest, I hate giving bad reviews but I’m thrilled to be done with this book. I was beginning to think I might never reach the end and it really wasn’t ringing any bells for me. Mostly because I disliked the heroine, Addie, and didn’t particularly care for the hero, Cael, either.

Addie was pitiful in almost every sense of the word. In the first 1/4 of the book she had nightmares, almost ran someone over and drove off a cliff, bumped her head into a metal sign so hard she almost fell onto jagged rocks, fell over a cliff and almost died (Seriously, who falls off a cliff that they know they’re standing on because they don’t pay attention to where they put their feet?), got buzzed off two beers and head spinning, passing out drunk off three. The trend only continued after that, tripping into Cael’s arms, staggering on her big girl high heals, etc.

It all made her feel like she couldn’t take care of herself. And not only because of her ridiculous accident proneness, but in little things like her tendency to forget to eat and the crying (even crying herself to sleep at one point). She’s either very child-like or just basically inept and a failure as an adult. I’m going with the latter, since at 26 she had only just gotten her first apartment on her own.

Then there were passages like this, “…the spell of his kisses rendering her helpless. His hands were so sure and knowledgeable…” Yes, that’s obviously a statement that needs to be considered in context, but that’s also essentially the ongoing dichotomy here. She’s helpless and he’s sure. Everyone knows more than Addie. Everyone is more capable than Addie. Everyone looks out for poor fragile, naive Addie. Gag. Helpless women (especially ones who are contradictorily made out to be strong and capable, despite what is shown) drive me up the wall.

Cael, was just…well, I don’t know how to say this less bluntly, but just too predictable. Almost everything, no matter how ridiculous, was seen a mile in advance or a PNR trope. For example, deciding Addie would be better off without him and trying to push her away by being verbally cruel in order to make her believe he doesn’t care for her (for her own good, of course). A) stupid and makes no sense. How is hurting her protecting her? B) a regular, and no less hated for it, PNR event.

Addie’s limp-ragness was the main reason I disliked the book, but a close second was that I kept asking, ‘where is the antagonist?’ No, seriously, he shows up for about a page at 75% (where we see a quick cliché baddie monologue along the lines of  “oh, they’ll pay…blah, blah, blah”) and then for about 3 pages at 95% (where he is defeated with painful ease) otherwise he’s just a cut-out for Cael to protect Addie from while 98% of the book is dedicated to their lightning-speed romance or sex. What more, he had ample access and opportunity to kill, kidnap, maim, rape, or whatever Addie before the big reveal and climactic fight. So, why didn’t he?

Despite all the sex the book has a very YA feel. The way a big deal is made of Addie and Cael having sex, the ‘parent figures’ being seriously over-protective and everyone’s mental agony over being a ‘boyfriend’ or not. These are supposed to be adults? No, these felt like teenagers, with teenage issues.

I found the writing repetitive, in the sense that the reader is told the same thing over and over again, but also in that things happen and then the characters tell other characters about it or events are relayed from various characters. Like Darcy talking about why she and Jarod broke up and then Jarod telling Addie why he and Darcy broke up. Same story, why do I need to hear it twice? Then again, after hearing the story twice, why do we also need multiple reminders of it? (Like Darcy in the bath remembering it.)

I also found the dialogue often (but not always) stiff, occasionally losing contractions, saying names too frequently, or too often starting a comment with yes or please, for example. Whatever the reason, it didn’t feel natural to me. This lent an oddly formal feel to the book.

Lastly, random odd POVs are thrown in occasionally. Despite being side characters we see Darcy and Jarod’s POV. I didn’t understand why. Their small side-story didn’t contribute enough to the plot to necessitate (or excuse) breaking the set POV pattern for inclusion. So I often found myself wondering why I was watching them do whatever unimportant thing they were doing.

All in all, not a winner for me. Believe it or not I dropped a number of minor complaints because I thought too much more would start to border on cruelty.  The above is just my opinion and I apologise for not having more positives to sandwich in there, but by the time I finally finished I was just too far past objectivity to manage it. I disliked the book, but you’ll notice I’ve never claimed it isn’t a quality book or unworthy of being read. The book has an interesting premise and I know a lot of people enjoy it. Maybe you’ll be one of them, even if I wasn’t.