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Book Review of Phoebe and Seithe (Neuripra, #1), by Poppet

Phoebe & Seithe

I grabbed Phoebe & Seithe from the Amazon  free list. It’s by someone named Poppet. I tell ya, that’s gonna wreak havoc on my last-name, first-name alphabetised list of reviews. I’m just sayin’.

Description from Goodreads:
Phoebe has the worst taste in men and after storming out on Brian she goes from the hearth into the pyre. Seithe has an immediate hold on her from the moment they touch. He’s more dangerous than Russian roulette and yet he makes her feel alive, exhilarated, safe. Infected by his intoxication she is obsessed with the man who changes more often than a chameleon at a disco. 

Seithe is more than a man, he’s a supernatural, one who puts Phoebe into immortal danger. Now she’s hunted, betrayed, and deliberately misled. 

This is a scorching journey to reawaken your senses. Phoebe’s light can only be found in the darkness of Seithe’s home, in his bedroom, in his arms.

Review: **spoiler Warning**
I’m torn on how to rate this one. At some points, I really liked this book. This is important to note, because I’m about to list a series of complaints that will make me sound like I didn’t. But they were the potholes in an otherwise smooth experience. While generally enjoying the book, I had some really frustrating moments reading it.

The first came about because of the unique writing style. It uses a lot of short, clipped sentences, often consisting of a single, descriptive word. “Angry.” “Hot” “Scared” “C-c-c-cold” This is definitely used stylistically, as opposed to a lack of writing skill and it does fit the tone the book wishes to create, especially since Phoebe spends so much of it angry, but it also doesn’t allow for a lot of description. I happen to like those details and I missed them.

The unexpected writing carried into the romantic scenes too. There is a lot of foreplay in this book. A full 39% of the book progresses in various forms of sexual teasing (really, there’s little else) before there is a sex scene and it’s the most obfuscated sex scene I’ve ever encountered. Not un-erotic, but not clear on what’s happening either. Really, they all kind of felt that way. They were sexy, but more because of Poppet’s descriptions of emotions than actual actions. I feel like I should call this erotica, but on reflection the sex isn’t graphic at all. It just feels that way. Odd, I know.

Also odd is the fact that Phoebe accepted all the strange paranormal things she encountered 100% without question. She noticed them, rationalised some of it away and simply ignored the rest. There wasn’t any sense that she thought it strange that peoples’ eyes and hair changed colors “every 32 seconds” or that Seithe could blind her at will or transport them about. None! How realistic is that? For me this was a strong weakness in the plot and it REALLY needed to be addressed.

This lack of believability was exacerbated by Phoebe’s amazing ability to trust. The fact that the whole thing has a satisfactory ending doesn’t really negate the fact that Phoebe was almost too stupid to live for returning to Seithe again and again. Really, all logic suggests that she should have been running like hell in the opposite direction. He kept insisting she trust him and then doing things that PROVED she shouldn’t (BIG deal type things, you know, like try and kill her), then insisting she trust him again. And you know what, like a mindless idiot she did. This was amazing to me.

I also couldn’t always follow her leaps of logic about why Seithe was doing the things he did. Sometimes it felt like magic that Phoebe understood. For example, at one point he was feeding her and she suddenly understood that he was trying to teach her about instincts. I get the linguistic gymnastics going on here, he was putting food IN her mouth, therefore it could lead to INstincts. But somehow seeing those words on paper and connecting random actions to a meaningful but vague theme aren’t quite the same thing. How did Phoebe get there? There were a lot of these sorts of miraculous “ah-ha” moments. In fact, the happy ending comes about because of one.

Lastly, to have the whole thing boil down to some form of brotherly one-upmanship, that instantly dissolved with no lingering ill-feelings a) stole a little of the books gravitas and b) was damned unbelievable. I mean, come one, Phoebe had made her choice abundantly clear, so why did the trial have to happen? And if the two were so hostile toward one another how did they make peace so quickly? Not to mention the fact that they pretty much hijacked phoebe’s life, manipulated, terrified and forced her to question her own worth. How come she wasn’t pissed off? Felt like a very convenient HEA to me.

Again, there were a number of aspects of this books that made me go “grrr,’ but for the most part I enjoyed the experience of reading the book. I’d be more than up for reading another of Poppets works.

On a side note: I THNK that this is a repackaging of the Pravus series (or more exactly, a combination of the Pavus and Neuri series), making this a retitle of Seithe: Pravus. This is an issue for me, because I happen to have a copy of Zauran (Pravus, #3) that I picked up on the free list last year. I think it’s probably repackaged as Zaria and Zauran, which is listed as book 2 of the Neuripra series. I’d read it now if I was certain it was the same storyline. I really hate uncertainty in these matters though.

Agent I1 Tristan

Book Review: Agent I1: Tristan (The D.I.R.E. Agency #1), by Joni Hahn

Agent I1

I downloaded Joni Hahn‘s Agent I1: Tristan (The D.I.R.E. Agency #1) from the Amazon free list. At the time of posting, it is still free.

Description from Goodreads:
Credentials:
• Second generation Former Navy SEAL
• DIRE’s top agent
Enhancements:
• Teleportation
• Invisibility

Raised in the art of warfare, Former Navy SEAL, Tristan Jacobs, has always been a force to reckon with. Now that D.I.R.E. has successfully implemented his scientific enhancements, he’s a walking weapon. Unstoppable, as long as he stays focused. No relationships.

When ex-BUD/S teammate, Aidan Monroe, interrupts his long-awaited sabbatical to call in a favor, Tristan reluctantly fills the simple request: take out his sister’s fiancé.

One problem: Rachel Monroe – smokin’ hot, kind-hearted, and in desperate need of a protector. After the best sex of his life, Tristan’s afraid unstoppable is just a memory. Knowing Aidan’s temper, Tristan could be, too.

Rachel Monroe had a plan to help her mother. Her brother ruined everything when his gorgeous, super-agent friend teleported her to some forsaken island – and his bed. She’s drawn to him despite the fact he’s a professional agent, much like the people suspected of killing her father. 

Now, his enemies have come to her small town, looking for vengeance. 

Have they found more than they bargained for? Or, does the past have its own retribution in mind?

Review:
Here’s the perfect way to describe the forgetableness of this book. Last night I finished a book and went to bed, with the intention of reviewing it this morning. This morning, I took my Kindle to the gym and started this book while on the stationary bike. When I got home, I reviewed the book I finished last-night and then sat down to look at my Kindle Collections to pick out what to read next, completely forgetting that I had started and read 30% of this book already. It made that little of an impression. When I finally remembered having already started it, I sat down to finish it up.

Now, don’t misunderstand me. I’m not necessarily saying it was a bad book. I’m sure we’ve all read those books that we don’t love, but we don’t hate either. They’re like cotton candy—a shot of sweetness that you can only savour for a moment and then leaves very little memory of itself. Yep, that’s what this book was like. 

Seeing the emotionless Tristan become attached to someone was nice. The fact that Rachel wasn’t a complete pushover was appreciable. Her ultra-protective brother was fun. There were plenty of ‘aww’ moments and the sex was pretty mild. 

However, quite a lot of the plot was just skimmed over or just plain unbelievable. For example, I’m still unsure why Aidan called Tristan to guard Rachel in the first place, other than that he disliked her fiancé. That seems a little extreme. As far as I can tell there was no actual risk to Rachel that Aidan would have been trying to protect her against. 

There is also a lot of history between the older generation of characters that isn’t explored. The science isn’t well explained. And the romance is lightning fast. It isn’t insta-love, but within a matter of a day or so Tristan and Rachel fall madly in love and are willing to essentially throw their established lives away to be together. It too seems a bit extreme. 

For a quick, fluffy read, this is worth picking up. If you’re looking for great literature….um, it probably won’t fit the bill. It does actually end, though. Yes, that’s right, no cliffhanger!

waking up dead banner

Book Review of Waking Up Dead, by Margo Bond Collins

Waking Up DeadAuthor, Margo Bond Collins sent me a copy of her novel Waking Up Dead.

Description from Goodreads:
When Dallas resident Callie Taylor died young, she expected to go to Heaven, or maybe Hell. Instead, she met her fate early thanks to a creep with a knife and a mommy complex. Now she’s witnessed another murder, and she’s not about to let this one go. She’s determined to help solve it before an innocent man goes to prison. And to answer the biggest question of all: why the hell did she wake up in Alabama?

Review:
The cover of this book doesn’t really do it justice, since it doesn’t give you much an idea of what you’re getting into with the story. Except for an attempted rape scene, which obviously isn’t, the whole thing is really cute. If the main character wasn’t a ghost, I’d call this a Cosy Mystery. Is there such thing as a Cosy Supernatural Mystery?

Callie, Ashara and Maw-Maw are all pleasantly sarcastic. Stephen provides a good grounding for the group. The mystery kept me guessing for a long time and the writing is crisp, clean and well edited. I read the whole thing in an evening and enjoyed every moment of it.

I only have one real complaint, but it’s oddly also wrapped up in an uncomfortable compliment. Race plays a role in this novel. America and Americans often walk on eggshells where this is concerned. With our history, it’s hard not to. Even non-racists are often awkwardly aware of their white-privilege and overly conscientious about trying not to do anything to even inadvertently offend someone. Despite best intentions, a lot of the country hasn’t reached the point that they can be comfortably unaware. (It’s questionable that they should be able to, given that we haven’t reached true parity yet.) I love that as a white author Ms. Collins didn’t shy away from the subject or the horrible history of it. But at times Ashara and Maw-Maw’s dialogue felt very much like what it is, written by a white woman in the imagined tone of a black woman. Ashara and Maw-Maw felt too aware of themselves as African American and Callie as white. They reminded Callie, and therefore the reader, of it constantly, compromising its ability to feel natural. Don’t get me wrong, at no time did this feel offensive or as if the author meant any disrespect. It just didn’t feel real either.

All in all, though, I’d highly recommend this novel to anyone looking for a cute, feel-good book. If it weren’t early February, I’d call it a great beach read.