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Rock

Book Review of Rock, by Anyta Sunday

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RockI bought a copy of Anyta Sunday‘s novel, Rock, in order to be part of a group read.

Description from Goodreads:
Igneous.
When Cooper’s parents divorce, he finds himself landed in Week About—one week with his mum and one week with his dad.
Only, it’s not just his dad he has to live with. There’s Lila, too: The other woman, the one who stole the rock-solid foundation of his life.

And then …

There’s Jace. Lila’s son. Lila’s smug, regurgitated-fish-scale-blue eyed son.

All Cooper wants is to have his family back the way it once was, but there’s something about this boy that promises things will never be the same again.

Sedimentary.
Resisting the realities of his new life, Cooper and Jace get off to a rocky start. But rocky start or not, after hundreds of shared memories together, they forge something new. A close … friendship.

Because friendship is all they can have. Although it’s not like they are real brothers…

Metamorphic.
But how does that friendship evolve under the pressures of life?
Under pressures of the heart?

Review:
This was a hard book for me to read. Part of it was circumstantial, as I picked it up at a time when I was a little emotionally compromised and therefore more susceptible to the turmoil in it. I joked that it felt like a death by a thousand cuts at one point. But part of the reason is just that it’s a difficult read. Families, parents are human and sometimes their best effort isn’t enough and children get hurt. In the beginning I had a very hard time letting go of Cooper’s anger that had become my anger. I resented everyone involved. As pages went by, Jace chipped away at that until eventually that forgiveness spread to the rest of the family.

Similarly, I spent a lot of time hurt and angered by Jace, wanting Cooper to inflict a lash or two in return. But as pages went by and Cooper’s understanding grew I was able to see that Jace too was suffering, just in a different way than Cooper. I think that must take a lot of skill for a writer to present a reader with one POV and still show growth in perspective without ever coming out and saying it. Part of it, especially when Cooper is young, is that he’s a bit unreliable and biased as a narrator, but I don’t know that that’s all there is to it.

I did think the mothers, both of them, were placeholders. The story here is really about the boys and their father. The book has these two shadows of amazing women and both feel like tragic cutouts. Neither of them were as well developed as the other characters.

I loved the writing style, the word choice and flow. I enjoyed the rocks as a running theme, though I didn’t really feel compelled to run out and look up meanings or anything. I just thought it was a nice thread running throughout the book. All in all, quite enjoyable.

Glitterland

Book Review of Glitterland, by Alexis Hall

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GlitterlandI bought a copy of Glitterland, by Alexis Hall.

Description from Goodreads:
Once the golden boy of the English literary scene, now a clinically depressed writer of pulp crime fiction, Ash Winters has given up on love, hope, happiness, and—most of all—himself. He lives his life between the cycles of his illness, haunted by the ghosts of other people’s expectations.

Then a chance encounter at a stag party throws him into the arms of Essex boy Darian Taylor, an aspiring model who lives in a world of hair gel, fake tans, and fashion shows. By his own admission, Darian isn’t the crispest lettuce in the fridge, but he cooks a mean cottage pie and makes Ash laugh, reminding him of what it’s like to step beyond the boundaries of anxiety.

But Ash has been living in his own shadow for so long that he can’t see past the glitter to the light. Can a man who doesn’t trust himself ever trust in happiness? And how can a man who doesn’t believe in happiness ever fight for his own?

Review:
I should admit up front that I am a relatively new reader of romance. Yeah, it’s been a couple years since I picked that first one up, but that still leaves, like, 20 that I refused to. And it’s only a little more recently that I started reading LGBT+ romance. Honestly, it’s fairly recently that I even discovered it exists and have been kind of devouring it ever since, because het gender tropes make me crazy. (But I’m drifting.)

I’m newish to romance and though I enjoy it now, I still can’t quite stand undiluted romance. If there isn’t some other aspect to the plot beyond X & Y meet and fall in love, I’m out. So, despite being by one of my favorite authors, I put this book off. Eventually however, it just irritated me to no end to have one more AJH book out there that I hadn’t read and gave in to its lure.

I’m glad I did because Ash’s mental health, exhaustive anxiety and over-thinking was enough to keep me interested beyond the romance and sex (of which there was plenty). He’s an eminently unlikable character, that dislike only partially negated by being pitiable. And Darian was just a darling. Presenting as shallow and simple, he was surprisingly adept at reading people and situations. He was also possibly the most forgiving human on earth.

This was my only real complaint with the book. I loved that he forgave Ash his many very serious foibles, but i thought he let some of them slide too easily, that last one especially. He felt a little door-mat like.

Then there is the Essex cant. A lot of readers disliked this. I however loved it. I thought it gave Darian’s character such personality and made reading the book more colorful and enjoyable.

All in all, another success from Hall, as far as I’m concerned. Also, for anyone who’s interested, there is a free short story available here that picks up just at the end of Glitterland.

Book Review of The Deep of the Sound, by Amy Lane

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Deep of the SoundI received a copy of The Deep of the Sound, by Amy Lane, from NetGalley.

Description from Goodreads:
Cal McCorkle has lived in Bluewater Bay his whole life. He works two jobs to support a brother with a laundry list of psychiatric diagnoses and a great uncle with Alzheimer’s, and his personal life amounts to impersonal hookups with his boss. He’s got no time, no ambition, and no hope. All he has is family, and they’re killing him one responsibility at a time.

Avery Kennedy left Los Angeles, his family, and his sleazy boyfriend to attend a Wolf’s Landing convention, and he has no plans to return. But when he finds himself broke and car-less in Bluewater Bay, he’s worried he’ll have to slink home with his tail between his legs. Then Cal McCorkle rides to his rescue, and his urge to run away dies a quick death.

Avery may seem helpless at first, but he can charm Cal’s fractious brother, so Cal can pretty much forgive him anything. Even being adorkable. And giving him hope. But Cal can only promise Avery “until we can’t”—and the cost of changing that to “until forever” might be too high, however much they both want it.

I don’t usually include a series description, but this one is pretty interesting and gives some insight into the series that i wasn’t aware of when I picked this book up.  So, here is the series description for Bluewater Bay.

Welcome to Bluewater Bay! This quiet little logging town on Washington state’s Olympic Peninsula has been stagnating for decades, on the verge of ghost town status. Until a television crew moves in to film Wolf’s Landing, a soon-to-be cult hit based on the wildly successful shifter novels penned by local author Hunter Easton.

Wolf’s Landing’s success spawns everything from merchandise to movie talks, and Bluewater Bay explodes into a mecca for fans and tourists alike. The locals still aren’t quite sure what to make of all this—the town is rejuvenated, but at what cost? And the Hollywood-based production crew is out of their element in this small, mossy seaside locale. Needless to say, sparks fly.

This collaborative story world is brought to you by ten award-winning, best-selling LGBTQ romance authors: L.A. Witt, L.B. Gregg, Z.A. Maxfield, Aleksandr Voinov, Heidi Belleau, Rachel Haimowitz, Anne Tenino, Amy Lane, SE Jakes, and G.B. Gordon. Each contemporary novel stands alone, but all are built around the town and the people of Bluewater Bay and the Wolf’s Landing media empire.

Review:

Well darn, this is the second book in as many weeks that I’ve finished and then discovered it’s part of a series. That really annoys me. On the plus side, if I made it all the way to the end without realizing it, it must be encapsulated enough to stand alone. So, I’m annoyed that the fact that it’s an eighth book in a series wasn’t made more apparent on the cover, or where ever, but I don’t think it effected my read any.

This was my first Amy Lane book and a lot of people seem to love her writing. And while I appreciate a lot about this novel, thought the writing and editing were sharp, etc, I thought the story was far too schmaltzy for my taste. And I have two main reasons for this.

The first is the insta-meaningful relationship. Sure, it’s not insta-love but almost immediately these two men are moving beyond sex or friendship or even getting to know one another into ‘you complete my life’ territory. They then spend an inordinate amount of time telling each-other how wonderful and vital to the other they are.

Second, I just basically hate PSAs in my fiction. I just do. If there are certain issues that are important to the story and a reader needs to know them to understand, sure ok, drop a few facts. But I HATE it when authors use their books as a platform to inform readers on how to be better humans in regard to XYZ. It feels unnatural, pompous and presumptuous. It’s even worse when they do it serially. Lane hits Communicatively Handicapped, FanFiction communities/writing, Gender queers’ pronouns and probably more.

Sure, one character was ADHD, OCD, bi-polar etc. I didn’t feel lectured at because of his diagnosis. Nor did I feel lectured on about the Great Uncle’s Alzheimer’s and only a little about the importance of medication. This just proves to me that important social issues can be handled and included in non-PSA ways. But when Avery lectured Cal (a man who’s lived his whole life and is currently responsible for the care and upkeep of a severely diagnosed brother), and by extension me on CH or that all that’s really important about pronouns is respect it held none of that natural importance to the story. (The latter was about a character that never even shows up in the book.)

My problem is not that I disagree with the message, it’s seeing (or feeling rather) it shoehorned into a story. To me it comes across as an author being like, ‘See how informed and accepting I am? Yes, praise me for my liberal open-mindedness.’ I’m not saying Lane is like this. I don’t know. But I certainly felt this in this book and found it really off-putting.

Having said all that, it was a very sweet story. I liked the characters in general and the writing is perfectly readable.