Tag Archives: PNR

The Wolf Within

Book Review of The Wolf Within (Purgatory #1), by Cynthia Eden

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The wolf withinI downloaded a copy of Cynthia Eden‘s The Wolf Within from the Amazon free list. At the time of posting, it was still free.

Description from Goodreads:
FBI Special Agent Duncan McGuire spends his days–and his nights–tracking real-life monsters. Most humans aren’t aware of the vampires and werewolves that walk among them. They don’t realize the danger that they face, but Duncan knows about the horror that waits in the darkness. He hunts the monsters, and he protects the innocent. Duncan just never expects to become a monster. But after a brutal werewolf attack, Duncan begins to change…and soon he will be one of the very beasts that he has hunted.

Dr. Holly Young is supposed to help Duncan during his transition. It’s her job to keep him sane so that Duncan can continue working with the FBI’s Para Unit. But as Duncan’s beast grows stronger, the passion that she and Duncan have held carefully in check pushes to the surface. The desire that is raging between them could be a very dangerous thing…because Holly isn’t exactly human, not any longer.

As the monsters circle in, determined to take out all of the agents working at the Para Unit, Holly and Duncan will have to use their own supernatural strengths in order to survive. But as they give up more of their humanity and embrace the beasts within them both, they realize that the passion between them isn’t safe, it isn’t controllable, and their dark need may just be an obsession that could destroy them both.

 Review:
This is one of those books I refer to as ‘meh reads,’ because that’s my response to them. Meh. Nothing really horrible about them, but nothing particularly good either. I’d say this was designed simply to appeal that lizard, hind-brain we all seem to have. It’s all growly, über alpha precariously contains his inner beast for the benefit of the simpering female who’s caught his eye. Meh. Seen it all before.

I’ll give Holley points for having the moxie to say what she wants. But she also seemed perfectly content to let her brother control every aspect of her life. Meh. Not a total wet noodle, but not a wonderfully strong heroine either.

The plot had a few twists to it, but they didn’t work well for me. They felt abrupt and more like new plot arcs than twists. Meaning, it felt like, ‘ok, finished that bit up, now we’re going to race off in this direction now.’ Not boring but not natural.

Plus, many of these new arc directions were predicated on shifting character traits. The previous super evil, murdering bastard was suddenly the wounded victim. The good brother was suddenly the manipulative director, wait, no, he’s the real hero, wait, no, he’s obsessively possessive. Again, not boring but not natural either.

Every obstacle set up was overcome almost instantly, even the final climactic one. There was very little build-up or time for tension to heighten before solutions were found or bad guys defeated, etc. Meh.

The same middle of the road, shoulder-shrugging indifference can be applied to the sex too. There was no foreplay to any of it. It’s claim to eroticism seems to have been based solely on Duncan’s intense, animalistic need. Meh. One such scene might have been nice, but when that’s all we get…Meh.

So, again, it wasn’t a wholly bad book. It was just clumsy and obviously designed to appeal to the lowest common denominator. It needed more character development, world-building and plain old substance.

As a side note: I think that cover model has to be one of the most over-used men in the indie publishing world. I’m so sick of seeing him!

Bound By Blood lupton

Book Review of Bound By Blood (The Garner Witch #1), by P.A. Lupton

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Bound By BloodBook four of my own little personal Bound By Blood book challenge, where I set out to read all five books on my shelves called, you guessed it, Bound By Blood, is by P. A. Lupton. I grabbed it some times ago as a freebie on Amazon.

Description from Goodreads:
FBI agent and psychic, Brianna Reece, descends from an ancient and powerful bloodline of witches, only she doesn’t know it. But now that legacy has come back to bite her—literally.

In the shadows of night in Denver Colorado, a serial killer is hunting women, and FBI agent Brianna Reece is hunting the killer. Unlike any case she’s worked before, Brianna can’t ignore the prickling at the back of her neck when she glimpses the resemblance she shares with the victims. The investigation begins to touch even closer to home when it is revealed that all of the victims were also psychic.

Complicating matters further, Brianna is captivated by the FBI’s prime suspect Nathan Donovan. Though she senses he is hiding something from her, the attraction she feels for him is compelling, and unlike anything she’s ever experienced. Through a chance twist of fate, Nathan learns of Brianna’s ancestry and is forced to divulge secrets to Brianna that will change her life forever.

When she learns that the killer is an evil vampire, and he’s now set his sights on her, Nathan alone holds the key to awakening her dormant powers. Now he must race to teach her how to control her emergent gifts before she becomes the next victim.

Somewhat spoilerish ranty review
This is one of those books that when someone asks you how it was you stop, think really hard and can still only come up with “meh, it was OK.” And it is. It’s OK. It’s not good by any stretch of the imagination, but I can’t quite call it bad either. And I can’t come up with any one big issue I have with it, just a myriad of small annoyances that eventually put me off as a reader.

Things like the fact that the heroine, a psychic FBI agent, follows no procedural protocol at all and never suffers any consequences. In fact, her boss doesn’t even seem to exist. She starts investigating the case before she’s officially assigned to it, or even started her job for that matter. Then she’s immediately on the ball and working cases as if she’s worked there for years, even though it’s supposedly her first day. No need to meet the co-workers, get assigned a desk, learn the ropes, etc for Reece apparently.

But even more than that, she is assigned her first case as a member of the Denver FBI office and then it miraculously ends up all being about her. It’s not even like the killer comes after her. It really feels like she’s been randomly assigned a case, all ‘Yo, Reece, you’re up in rotation. Next case is yours,’ like and then suddenly it’s a personal vendetta against her and her family. Um, until a week earlier, she didn’t even live in the state and the murders had been going on for months (years, but no one knows that yet), so how realistic is that little twist? I think the author swapped plots about halfway through the book.

Plus, I never understood some of the basic groundwork of the plot. For example, if your whole family was being hunted down would your first thought be to scatter (disperse your power base) and bind the powers of your children, while not tell them about the dangers. Yep, that’s logic–if we pretend the danger doesn’t exist and make sure you can’t defend yourself if by chance it does, we’ll all be safe in the end. How does that even make sense in the first place?

Then there is the incredibly schmaltzy love. A lot of the book is dedicated to Reece and Donovan fawning over eachother. It’s an insta-love and it’s all so saccharine sweet. They go from I’m intensely attracted to you but you’re a suspect in my case, to I’ll love you forever, move in with me, in no time at all. Too fast, to forced, too much of the same. I got sick of all the kissing and fade to black sex.

Then there is the history of sexual assault that seemed to contribute nothing to the plot. This is a person button for me. A history of rape (or attempted rape in this case) can be important to a plot. I’m not arguing it can’t, but when it’s not an integral part of the plotting why include it? It neither elicits sympathy from the reader nor proves the woman’s resilience or strength. It was essentially pointless as far as I can see.

Then there were the multiple deus ex machina events. Every time Reece found herself in danger (including her attempted rape) she got out of it by developing some new, never suspected or attempted power that she miraculously wields to the detriment of her attacker.

Well, isn’t that convenient. Almost as convenient as the fact that she’s able to keep conscious and taunting her nemesis after he’s drugged her, stabbed her repeatedly (almost gutting her at one point) and beaten her about the face. It is, however, admittedly less convenient than the fact that her attempted sexual assaulter was still able to chase her through the woods and catch her after she kicked his knee to the side and broke the bones. I’m fairly sure that even with the adrenaline and endorphins of shock, someone with a broken leg wouldn’t be chasing her down and still trying to rape her.

Then there was her ridiculous bravado in the face of otherwise certain defeat. This is another personal annoyance for me. Why do some characters get to mouth off to authority figures who would squash anyone else for being so impertinent and get away with it? Granted, the bad guy isn’t an authority figure, but she never shut up with her snarky comments, even when he tortured her and still he never killed her. Then she meets the all powerful council who literally could squash her like a bug and, knowing nothing of the rules or etiquette, mouths off and challenges them, again with no consequences. Suicide by mouth, I call it, but always, somehow, with a stay of execution. I don’t get it or like it.

Then there is the classic, “Hi, I’m the villain you’ve been chasing. Let me monologue my ill-intent for a while.” And that same villain was fairly predictable in the end. No big surprises there. The villains’ need to go on and on about themselves is almost as bad as the endless and obvious info-drops throughout the book.

I will say that, with the exception of a too frequent use of names in dialogues and a few too many adjective and adverbs in the speech tags (this rarely works well for a first person narrative) the writing was pretty good. I have the re-edited version and though I noticed a few missing words and spaces, it wasn’t as badly edited as some of the early reviews say. I probably wouldn’t even bother mention it if it hadn’t been an obvious issue in the earlier edition.

So, for the right reader, one who doesn’t mind a lot of affectionate down time with the characters, for example, this will probably be a real winner. For me, it wasn’t.

Bound By Blood

Book Review of Bound By Blood (Cauld Ane #1), by Tracey Jane Jackson

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Bound By BloodTracey Jane Jackson‘s book, Bound By Blood, marks the second Bound By Blood book in my week long Bound By Blood reading challenge. (Phew, that sentence is a bit of a challenge too.) As a reminder, Bound By Blood Week is dedicated to reading five books in a row titled, you guessed it, Bound by Blood. I picked this up as perma-freebie at Amazon.

Description from Goodreads:
Dr. Samantha Moore is one of the youngest and most acclaimed researchers in the world. Her specialty is blood and she has been recruited by the largest pharmaceutical company in Scotland. For what purpose she cannot begin to imagine, but in an attempt to break out of her painfully shy shell, she throws caution to the wind and leaves her family and best friend behind in Savannah. Dr. Kade Gunnach is taking a chance hiring an outsider, but he’s desperate to find out how to help his sister. He believes the key lies in her blood, but so far, no one has found the answers. When the new researcher walks into his office, he’s unprepared for his reaction to her and the life-changing ramifications her arrival brings. They’re drawn together by a force neither is prepared for, but Kade is holding something back. Something that could scare her away. When Samantha learns his secret, will she run? Will Kade be able to live with the answers he’s been desperately searching for?

Review:
This was a sweet, low angst New Adult(ish) romance. Unfortunately, I’m not a big fan of sweet New Adult(ish) romances. But, oh well. The writing and editing is fine and for those readers whose primary interests are ‘awww’ moments and endless (and I mean endless) declarations of love, this is for you.

It’s sweet, yeah, but that’s about all it has going for it. Unfortunately, I found it booorrringggg. Other than two people becoming completely self-obsessed, nothing really ever happens. Even the romance is of the insta-love, I recognise you as my destined mate variety and both parties accepted it without question. There are a few almost unrelated side events I think meant to add a little action, but they’re so secondary to the “I love you. “No, I love you more.” “I’ve missed you.” “An hour is too long to be away from you.” Bla, bla, bla that they feel tacked on, at best.

What’s more, it felt like a lot of the book is dedicated to setting up the future books. Already I know without looking what couple will be in book two and three. It made this book feel scattered and unfocused. Plus, I found myself increasingly annoyed to see two women, but especially the MC, as described as dysfunctional shy and scared and then shown to be quite bold and outspoken. The characters as presented didn’t match the characters as described at all.

So, my final say is that it’s a fine book for the sort who like this sort of book, but not for me.

On an unrelated side not, just because this kind of thing annoys me, who is that supposed be on the cover? Because Kade is Icelandic, with blond hair and blue eyes. So who is to be kissing the person we can only presume is supposed to be Samantha? Hmmm? If you’re gonna put characters on the front of the book they need to match! It’s just my opinion, but I feel strongly about it.