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Book Review of Wilder’s Mate (Bloodhounds #1), by Moira Rogers

Wilder's MateI grabbed a copy of Wilder’s Mate, by Moira Rogers from the Amazon free list. At the time of posting it was still free.

Description from Goodreads:
Wilder Harding is a bloodhound, created by the Guild to hunt down and kill vampires on America’s frontier. His enhanced abilities come with a high price: on the full moon, he becomes capable of savagery beyond telling, while the new moon brings a sexual hunger that borders on madness.

Rescuing a weapons inventor from undead kidnappers is just another assignment, though one with an added complication—keeping his hands off the man’s pretty young apprentice, who insists on tagging along. 

At odds with polite society, Satira’s only constant has been the aging weapons inventor who treats her like a daughter. She isn’t going to trust Wilder with Nathaniel’s life, not when the Guild might decide the old man isn’t worth saving. Besides, if there’s one thing she’s learned, it’s that brains are more important than brawn. 

As the search stretches far longer than Wilder planned, he finds himself fighting against time. If Satira is still at his side when the new moon comes, nothing will stop him from claiming her. Worse, she seems all too willing. If their passion unlocks the beast inside, no one will be safe. Not even the man they’re fighting to save. 

Review: (spoiler)
This story had an interesting premise and if it had another 100 pages to develop it, it might have been a good book. Everything in it happens at almost Mach speed, leaving no time for world-building, character development, back story, climbing tension, or (most importantly) believable growth of feelings and emotions.

Wilder and Satira meet. Within seconds they’re throwing insults and sexual innuendo at one another. Within half an hour they’re lusting after each-other. By the end of the afternoon they’re already progressing to suggestive touching. By the end of the next day, they’re having sex at every available moment and by the end of a week (probably less, but a few days at least) they’re madly in love and happily mated for life. At no point does the reader feel their relationship progressing. Wilder feels like he’d bed any woman available (and at the new moon, he probably would) and Satira feels like she’s out to bag herself a bloodhound to protect and care for her. But somehow we’re not supposed to see it that way, but as true lurvvve. Meh.

I have no idea how vampires came to inhabit the world, what exactly a bloodhound is, what the point of their mating frenzy at the new moon is (since it’s stated that it isn’t procreation), etc. There is no depth to the world.

I was also disgusted by the cliche use of gender roles. Bloodhounds and vampires were solely male. Vampires apparently only ‘fed’ (implying both blood and sex) on women. They enslaved men as ghouls to work for them. Women couldn’t be educated or hold careers. Thus, apparently the only purpose of females was, to use the exact words of the book, “those whose time was rented, and those who were outright owned.” I presume that included the married. And this is reinforced when the first major act of the book is for Wilder to take Satira—a smart, capable, spit-fire of a woman-to a whore house to be tarted up before they entered the badlands (i.e. the land of the male predators). Meh. No, that’s not strong enough. MEH!

I did appreciate that Satira was sexually aware and more than happy to go after what she wanted and even vocalise it. She was no shrinking, virginal violet. You don’t come across too many of those. It’s just unfortunate that she also came across as so desperate.

Even the rescue was solved with unbelievable ease. They camped out in a hotel for a few days, showing Satira off (to what point, I don’t actually know) got a lead immediately, had a quick break for 3 days of non-stop sex and then marched into town, walked through an unlocked door, for Christ’s sake, and defeated the baddie in about 15 minutes. What? Meh. The writing itself was fine, but I’ll be passing on anymore of this series, thank you very much.

Review of The Thief Who Pulled on Trouble’s Braids (Amra Thetys #1), by Michael McClung

The Thief Who Pulled on Trouble's BraidsI snagged a copy of Michael McClung‘s book, The Thief Who Pulled on Trouble’s Braids, from the Amazon free list. At the time of posting, it was still free.

Description from Goodreads:
“They butchered Corbin right out in the street. That’s how it really started. He was a rogue and a thief, of course. But then, so am I. So when he got himself hacked up in front of his house off Silk Street, I decided somebody had to be made to pay. They thought that they could just sweep him away like rubbish. They were wrong.”

Amra Thetys is a thief with morals: She won’t steal from anybody poorer than she is. Fortunately, anybody that poor generally doesn’t have much worth stealing! But when a fellow thief and good friend is killed in a deal gone wrong, Amra turns her back on burglary and goes after something far more precious: Revenge.

Review:
I’m feeling blessed; I’ve had such good luck in the book department lately! The Thief Who Pulled on Trouble’s Braids is a fun Sword & Sorcery book with a kick-butt heroine, a cool mage sidekick (maybe hero), and an interesting fantasy world. I enjoyed the read immensely. It was well-written, sarcastic, funny, and wrapped up nicely in the end. A+, in my opinion.

I was a bit confused about why Amra took it upon herself to avenge Corbin’s death. They were friends, not lovers, so it seems a bit extreme. The reasoning that she’s doing it because she has so few friends proved unsupported by the book. Her endeavor was successful solely because she seemed to have so many loyal, generous friends. So, I was left scratching my head about the very foundation of the book’s plot but decided to just roll with it.

I also thought that the ‘oops, sorry, I was wrong’ was glossed over. Several people died as a result of this particular mistake, those who lived would have a terrible memory, and it brought everyone to the attention of some really dangerous people. But no one seemed to mind, nor was anyone less inclined to take her word at face value when next she said, ‘Oh, I know who did it.’ It all felt a little too easy.

Easy is my last comment. For all the drama, running around, and highly dangerous enemies Amra battles, each was defeated with startling ease at the end. It left the encounters feeling rushed and abortive.

Having said all that, I really did enjoy it, and I hope to read the sequels soon.

Brood of Bones

Book Review of Brood of Bones (Lady of Gems), by A.E. Marling

Brood of BonesBrood of Bones, by A. E. Marling has been on my radar for a while, because the cover is so darned eye catching. So, when I saw it on the Amazon free list a while back I grabbed it. Perhaps it is permafree, as at the time of posting it was still/again free.

Description from Goodreads:
Cursed with endless drowsiness, Enchantress Hiresha sleeps more than she lives, no time to marry and raise a family. From virgin to grandmother, all the women in her city have conceived. A lurking sorcerer drains power from the unnatural pregnancies. The only person uncivilized enough to help is the Lord of the Feast, a dangerous yet charming illusionist.

Review:
A pleasant surprise in that it lived up to my expectations. Hiresha wasn’t a particularly relatable character, being painfully blunt, but I quite liked her. Maid Janny and the bodyguard (whose name I won’t even try to spell) were wonderful sidekicks. And the Lord of the Feast was an interesting maybe-ally/maybe-enemy/maybe-more character. I quite liked him and his quandary.

The world was engaging and, while not deeply described, there was enough detail to understand it. The writing was quite readable and there is some unexpected humour.

I was a bit confused about Hiresha’s age. It’s never clarified beyond nearing the end child bearing age (she wants children and is starting fear she’ll never be able to have them) and too old for someone who wants a sweet young thing to want to rape her. But I’m guessing mid-late 30s. Old enough to have reached provost level at the university.

Her age matters to me because I’m also wondering how she managed to essentially buy the town. She was born poor, chosen to become and enchantress, I assume makes a lot of money as one (but for how long) and donated a wall to the town. But everyone seems to know her and treat her like royalty and I was never entirely sure why, especially since she hadn’t been back in a dozen+ years.

The concept of wearing 27 dresses, even if enchanted to be light, also wore on me in it’s ridiculousness. (Ha, that pun wasn’t intended.) It was never suggested that this was somehow required of her position, so I never quite understood it. Using clothing to emphasise her position and bolster her self-esteem, sure but trap herself in a cage of cloth, why?

I also found all the references to moving the dresses and almost passing out from heat exhaustion repetitive. Plus, (personal pet peeve) she almost never took them off, even sleeping in them. Ummm, when did she bathe? Not once in the whole book. Did she have an enchantment for this?

I did think it dragged a little as the reader goes through each deductive step of the investigation with Hiresha. But I also appreciated seeing her utilise her intelligence to solve the mystery.

All-in-all, I had a few complaints, but it was an enjoyable read and I’m hoping to get my hands on the sequels.